This study aims at focusing on 「Jikkemwhoemun Seongi-do」 among several books which have attempted to connect text to image and taking a look at it from the modern perspective of `Electric language literature`. From the past, people`s efforts to make a connection between text and image have led to language figuaration as synergy effects, therefore 「the preface」 of Wonhyo`s 『Geumgangsammaegyeong-ron』 and Sohye`s 「Jikkemwhoemun Seongi-do」 were results of the efforts. Both of them have images which are reconciled with text. The meaning of reconciliation is to regard the relation between text and image not as a dichotomous way of thinking but as `both non-unity and non-duality(不一而不二)` which is the two faces of Buddhistic true. 「Seongi-do」 is a palindromic poem, one of the mixed forms of poems called Japche-si. Sohye created a new text form to represent her love toward her husband in the book. The form is `回` which has lots of overlapped `□`. This study looks at the images as a form which ia contained in 「Seongi-do」 with focusing on the two meaning of `回`, coming back of her husband and her mind of moving as it is. Additionally, 「Seongi-do」 can be interpreted as a `poetic diagram` in order to express writer`s inner mind. And also, 「Seongi-do」 is related to `Electric language poem`, which can be also called `oriental hypertext`, in terms of rejection to text linearity, branch structure, and the cycle of reading.