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> 한국중국어문학회 > 중국문학 > 77권 0호

당대(唐代) 근체시(近體詩) 대장(對仗)의 색채어(色彩語) 연구 (2)

김준연

- 발행기관 : 한국중국어문학회

- 발행년도 : 2013

- 간행물 : 중국문학, 77권 0호

- 페이지 : pp.1-36 ( 총 36 페이지 )


학술발표대회집, 워크숍 자료집 중 1,2 페이지 논문은 ‘요약’만 제공되는 경우가 있으니,

구매 전에 간행물명, 페이지 수 확인 부탁 드립니다.

7,600
논문제목
초록(외국어)
T`ang dynasty was an era filled with vigorous energy. Although there were some disturbances like An Lushan`s Rebellion, however, it still had spiritual richness. Poets composed plenty of poems, while crisscrossing the entire country, and they can show their ability without any external restrictions that suppress the freedom of expression. The excellent senses of color in their poems illustrate these spiritual richness and the freedom of expression. And the poets of T`ang dynasty were absorbed in writing modern style poems which the aesthetics of juxtaposition is regarded as a very important element. The color terms used in the juxtaposition were a point of contact between the sense of color and the regulated verses. In this paper, I examined those color terms in order to capture the essences of T`ang dynasty`s regulated verses. The first investigation was focused on the location and types of which the color terms used frequently. Many examples were founded at the first character both in five-character verses and seven-character verses. T`ang poets combined two or more color terms in their poem, and achieved magnificent effects such as contrasts of similarity, brightness, and chroma. The second point are the characteristics of the usage of color terms. This includes the preference of color terms and the influences of several major poets. I suggested three substantial preferred color terms, that is `Blue 靑`, `Yellow 黃`, `Red 紅`, besides structural preferred color term `White 白`. The Three major poets like Li Bai 李白, Du Fu 杜甫, Bai Juyi 白居易 showed remarkable achievements and influences with regard to distinctive command of color terms. Finally, I presented some of the concrete examples that T`ang poets used the color terms in their poems aesthetically. They had an ability enough to arrange color terms chromatically, and to discover the beauty of color. They also attempted some techniques to increase the effects of poetics such as disharmonic combination, separation, and manifesting synesthesia when using the color terms. Specially, the effective fusion of real color and imaginary color was an ambitious work that could articulate the traditional aesthetic sense of Chinese culture.

논문정보
  • - 주제 : 어문학분야 > 중어중문학
  • - 발행기관 : 한국중국어문학회
  • - 간행물 : 중국문학, 77권 0호
  • - 발행년도 : 2013
  • - 페이지 : pp.1-36 ( 총 36 페이지 )
  • - UCI(KEPA) : I410-ECN-0102-2018-700-000187411
저널정보
  • - 주제 : 어문학분야 > 중어중문학
  • - 성격 : 학술지
  • - 간기 : 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1226-2943
  • - 수록범위 : 1973–2022
  • - 수록 논문수 : 1538