This thesis intends to make the modernity of Kim, Soo Young's poems context again under the in the context of glance's political characteristic. In Kim, Soo Young's poems, poetic subjects recognize the world through the behavior of 'seeing' and establish themselves as an existence reflecting suppression and false in themselves. The glance for objects in Kim, Soo Young's poems came back as a shame of their inner side. Furthermore, by setting glance's object as another subject, they destroy the authority of the first person's glance. In here, the hierarchial order between glance's subject and glance's object becomes meaningless. In her poems, materials become glance's objects and other behavior's subjects at the same time. In here, the aesthetic modernity of Kim, Soo Young's poems makes other place around the sensitive politics. They establish poetic subjects by forming glance's subjects which have modern meaning and destroy glance's authorities by destroying the glance's subjects by themselves. It's important that modernity and avant-garde of Kim, Soo Young's poems are related to the politics of this sense and it can be a political context that the aesthetic level of Kim, Soo Young's poems has.