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> 한국문학이론과 비평학회 > 한국문학이론과 비평 > 26권 0호

『무정』에 나타난 ‘사랑’과 ‘주체’의 근대성

Colonial Modernity of 'Love' and the 'Subject' in Mujong

김지영 ( Kim Chi-young )

- 발행기관 : 한국문학이론과 비평학회

- 발행년도 : 2005

- 간행물 : 한국문학이론과 비평, 26권 0호

- 페이지 : pp.79-109 ( 총 31 페이지 )


학술발표대회집, 워크숍 자료집 중 1,2 페이지 논문은 ‘요약’만 제공되는 경우가 있으니,

구매 전에 간행물명, 페이지 수 확인 부탁 드립니다.

7,100
논문제목
초록(외국어)
In this paper I investigated the modernity of Mujong by focusing on love and the protagonist’s subjectivity in the novel. Mujong reflected the author’s argument about ‘Jong(affection)’ and ‘Y nae(love)’ directly. Literary concretization of the author's theoretical assertion made two different effects : on one hand, the novel delivered the author's ideas of enlightenment in easy words, on the other hand, it exposed the blind spot of the author’s theoretical assertion. Yee believed that true love come from spiritual understanding and realizing inner love and affection made a person a subject. It was because he thought that a person who realized love and affection could awake his/her responsibility for others and for the society. Mujong reified this theoretical thoughts on the bases of the period's reality by building a protagonist who considered his personal love as a 'spiritual revolution'. However,literary materialization exposed the deficiency and inconsistency the fixed theoretical idea. The inconsistency could he represented by two major points. One was the protagonist Hyong-sik's intense interests in the body of Yongche, the other was the unsolved state of Hyong-sik who could not select one of the two women Son’h yong and Yongche by his own passion to the end. These two facts were resisting against the author's theoretical thoughts pointing out its aperture. The confusion brought from love made the protagonist ask his subjectivity for himself, although the author stressed Hyoug-sik’s awakening of the self several times in the story und Hyong-sik was described as a enlightened person. This self-interrogation revealed the protagonist's feeling alienated from his own belief, and this fact discovered that the described subjectivity of Hyong-sik was an artificial effect of the author's discourse. However, Yee Kwang-su solved this problem by Hyong-sik’s desire for education, especially learning from the West. This way of solution prohibited dismantling and reconstructing the pre-constructed thoughts which had its base in the West. Likewise, Yee’s illuminism could not but settling in pre-constructed identity, excluding the possibility for the liberation movement from the pre-modern society to create a space to play liberal variations of possibilities and to find out new symbolic order without certain pre-constructed orders. Thus, love in Mujong proved that the modern subjectivity stressed by the author concluded to colonial subjectivity in the end.

논문정보
  • - 주제 : 어문학분야 > 국문학
  • - 발행기관 : 한국문학이론과 비평학회
  • - 간행물 : 한국문학이론과 비평, 26권 0호
  • - 발행년도 : 2005
  • - 페이지 : pp.79-109 ( 총 31 페이지 )
  • - UCI(KEPA) : I410-ECN-0102-2021-800-000455487
저널정보
  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기 : 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-3501
  • - 수록범위 : 1997–2021
  • - 수록 논문수 : 1395