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논문검색은 역시 페이퍼서치

이탈리아어문학검색

LETTERE ITALIANE


  • - 주제 : 어문학분야 > 이탈리어문
  • - 성격 : 학술지
  • - 간기: 연3회
  • - 국내 등재 : -
  • - 해외 등재 : -
  • - ISSN : 1598-5598
  • - 간행물명 변경 사항 : 이어이문학(~2004) → 이탈리아어문학(2005~)
논문제목
수록 범위 : 63권 0호 (2021)

단테가 새겨낸 자기 지시의 언어: 잠재성의 윤리

박상진 ( Park¸ Sang Jin )
6,800
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The Italian writer Dante Alighieri can be evaluated as a poet who completed the so-called language of self-reference in his Divine Comedy. This paper aims to explain what the language of self-reference may mean and contribute to his poetic achievement. Dante’s language has a power to lead the reader to reflect it repeatedly so as to product connotative implications according to his or her social and historical contexts. This is the point where his language becomes ‘poetic’ and at the same time ‘ethical’. Dante’s journey to the world of after-life is made by his challenge of representing it through his own language, for which he tries to maintain his existential consciousness particularly with his own voice. His linguistic experiment starts from measuring up how his voice can be registered on his book with its scriptural form. For this, he strives to transform his language from the ineffability to the communicability by operating the potentiality of the poetic language. The issue of potentiality in Dante can be clarified by referring to Aristotle’s philosophy of ‘potential intellect’ on which Dante himself discussed in his Convivio and expressed in his Comedy; indeed he achieves “the consecrated poem”(Paradiso 23.62) by virtue of the incomplete yet potential creativity of human language.

『데카메론』 속 문학적 상상력과 르네상스

장지연 ( Jang¸ Ji Yeon )
7,100
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『Decameron』, a novel in which the background of the disastrous black plague, the Middle Ages that was coming to an end and the Renaissance phenomena which already arrived, are embodied by Boccaccio's brilliant literary imagination, was evaluated as a historical record about all kinds of contemporary human lives; a literary historical treasury for the next generation's unlimited artistic imagination; and the model for European prose novel. The black plague, the background of the work, which was one of the worst accidents taking the lives of innumerable European people in the 14th century, across the human history, could not but have serious effects on the whole Europe including politics, economy, society, community, philosophy, science, art, etc. People experienced the fact that religion which had been a dominant base of their lives could not relieve them in the face of the horrible epidemic, so God-centered medieval values could no longer exert its dominant force. This period, however, was the cross point between the Middle Ages and Renaissance, as the Renaissance atmosphere was full-fledged, which had been gradually grown. Although it may be important to summarize the magnitude of Renaissance, it can be largely summarized into two aspects based on common interpretations and modalities: one is that there were the historical transitional phenomena between Renaissance and the Middle Ages; another is that it was the regeneration and revival of the ancient Greek and Roman civilization in the field of scholarship and culture, including art, music, literature, philosophy, science, architecture, mathematics, etc., as the entire movement across the European society, as well as a new historical wave which brought about huge changes across economy, society and politics inside and outside Europe. This paper aims to examine how such two aspects were condensed in 『Decameron』 via Boccaccio's literary imagination. First, it attempted to arrange literary creative strategies adopted by Boccaccio who used the black plague as a medium. Although Renaissance, the new compelling wave, already permeated the whole society, the formal forces were people with Christian and God-centered way of thinking, which still provided the foundation of their lives. In 『Decameron』, there are, therefore, several parts in which Boccaccio makes an effort to explain his ‘creative intention’ and ‘targeted readers’ in detail by directly intervening in the text. His hidden intention may be to ingeniously avoid blames from and conflicts with the public including the contemporary dominant forces. Second, it also aims to examine the other aspect of Renaissance, which shows the 'rediscovery of classics' and the 'realistic and actual description of human life', as the revival of the ancient Greek and Roman culture and a new historical wave. The stories contained in 『Decameron』 were not freshly created by Boccaccio, but reborn as works to which the meanings of the contemporary historical wave were 'newly' granted by exploring and borrowing classic ones which had been previously transmitted and adding literary imagination to them. Next, although the ancient Greek and Roman culture was basically focused on 'human beings', the former's description had an ideal tendency, while the latter's description had realistic, actual, practical and recreational tendency. 『Decameron』 combines each tendency of both cultures. 『Decameron』's eye is, therefore, directed toward human beings, while it comically describes secular and blatant reality of all sorts of forms and figures. Its description is thus characterized by the appreciation of diversity, promotion of practical benefit, sarcasms about corruption, degradation and hypocrisy of the Christian forces, and females' pursuit of sexual desire. This is highly differentiated from the God-centered perspective stressing the medieval piety, sacredness and solemnity.

시칠리아의 문학, 영화, 종교 속에 나타나는 샤샤의 시칠리투디네 연구

주효숙 ( Joo¸ Hwo Sook )
6,200
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Se non si presuppone una comprensione della storia e della cultura del territorio in cui i personaggi sono vissuti, si rischia facilmente di essere insignificanti e distorti. È indispensabile cercare di comprendere il carattere di gente in quella terra inclusa cultura e storia; il capire chi ha vissuto la diversa cultura e la diversa storia, particolarmente capire chi e` nel romanzo per scritto. Sciascia parlava della Sicilia come metafora del mondo. Capire la Sicilia è una metafora per capire il mondo. Lo studio della sicilitudine è in definitiva quello di capire chi vive in un presente complesso e imprevedibile. Che è caratteristica distintiva della Sicilia e dei siciliani, la sicilitudine è un segno simbolico e letterario. È una caratteristica della cultura umana formata dal vivere in Sicilia e nelle sue terre. Come funzionano gli elementi della sicilitudine nell'opera di Sciascia e dal punto di vista della sicilitudine definita da Sciascia, ho cercato di intendere la protagonista di Verga e l’uso del dialetto in Pirandello. Come annotava Sciascia, chei siciliani hanno bisogno di un equilibrio tra corde serie, corde civilizzate e corde esasperanti secondo Pirandello. E Sciascia, la linea della follia, che rimanda a desideri istintivi vicini all'inconscio, è un'identità siciliana incomprensibile e incontrollabile. Il discorso di Sciascia sulla Sicilia spiega che la sicilitudine insita nella storia e nella cultura della Sicilia: si tratta di una sorta di ideologia determinata dalla specificità della situazione socio-politica, culturale ed economica della realtà siciliana, ed è un elemento letterario che rimanda all'emozione che domina le azioni e le emozioni di gruppi e individui siciliani, e allo stesso tempo si rivela.
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