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논문검색은 역시 페이퍼서치

한국시가문화연구(구 한국고시가문화연구)검색

The Studies in Korean Classic Poetry and Culture


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 반년간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 2466-1759
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 14권 0호 (2004)

백광홍의 관서별곡과 기행가사

김성기 ( Seong Ki Kim )
6,100
초록보기
It has been said that words(Gasa) literature in Jang-heung was pioneered by Baek Gwang-hong. With a purpose to study Jangheung`s Gasa(words), this study examines the history of Jang-heung and its natural environment for preparation of the study. Jangheung`s Gasa started from BaekGwang-hong`s Gwan-seo-byol-gok. It is the first travel words in our country, which twenty-five years later, influenced on creation of by Jeong Cheol. This study compares the and the to specifically identify the influence. The influenced on Jeong Cheol`s followed by Jo Woo-in`s outside Jangheung. However, within Jangheung, it influenced on We Se-jik`s Geum-dang-byol-gok, No Myeong-sun`s Chon-pung-ga and We Baek-gyu`s Hap-gang-jeong-seon-yu-ga. That is, this study examines the external and internal influence of and its status as a masterpiece. Thanks to the influence of , no less than seventeen works from seven writers were produced in Jangheung. Therefore, it can be said that travel words in our country was originated from the .

박상 시의 선비적 정취

김은수 ( Eun Soo Kim )
5,900
키워드보기
초록보기
This paper investigated Pak Sang`s poetry. Pak Sang was a great poet in Chosun Dynasty. He presented a petition for restoration of Queen Shin. In this way, he was a zealous supporter of ideal and a learned man. This emotion of a learned man appears in his poem. First, his poem expressed a pity of the people. Second, his poem showed original humanity. However, this tendency is related to his sense of value, and emotion of a learned man.

정철 한시 세계관 연구

김진욱 ( Jin Wook Kim )
7,600
초록보기
One states that loyalty of Jeong cheol is reflected not only in broad mind and magnanimity but also in delicacy and pathetics. But this paper divides these instances and reveals a phenomenon and a cause. Paragraph Two observes an idea for nature of Jeong cheol reflected in his works, which is divided into that for ethical nature to be used for the method to improve his mind and that for nature of ease to escape into outer world and reveals that nature of place wait for an opportunity, the most general one in Chosun dynasty, is rarely expressed in Jeong cheol`s literature. Like this, this paper presents that two utmost literary worlds coexist in Jeong cheol`s literature and insist that this keeps the tenseness of Jeong cheol`s literature. An idea for nature of Jeong cheol reflected in his works, which is divided into that for ethical nature to be used for the method to improve his mind and that for nature of ease to escape into outer world and reveals that nature of place wait for an opportunity, the most general one in Chosun dynasty, is rarely expressed in Jeong cheol`s literature. Like this, this paper presents that two utmost literary worlds coexist in Jeong cheol`s literature and insist that this keeps the tenseness of Jeong cheol`s literature. This paper observes the overall Hansi of Jeong cheol and treats the world that Jeong cheol had an inclination toward. And this paper inquires into realistically oriented intention, which is divide into vertical side and horizontal onse. Especailly, this paper concentrates upon how idea for nature of Jeong cheol is expressed in Hansi.

〈만분가〉의 내용적 고찰

류연석 ( Yeon Seok Ryu )
7,600
초록보기
The automatic concept that "Manbunga" must be "Yeon-gun-ga-sa" because of the author`s origin as a Korean noble class so called "Yangban" is not always correct, especially in this case "Manbunga". The intensive efforts to research on the author`s biographical environment had made to understand the author`s exact intention to write "Manbunga". To get a grip on the content of "Manbunga", the work on a understanding the sentence structure and characteristic of "Manbunga" had been required`. The most important thing has found from this research is that the author`s emotion to the king during the work on "Manbunga" was not the same as other authors who wrote the "Yeon-gun-ga-sa" expressing their loyalty with love to the king. The "Manbunga" had written by the author who had a loyalty with anger to the king. The new approach to understand "Manbunga" has been possible by this additional consideration and efforts above.

무용 수연대사의 시문 연구

박명희 ( Meoung Hui Park )
7,000
초록보기
This paper is to investigate Muyong`s poems, who was a Zen monk in Chosun dynasty, focusing into the aspects of poetic development. And with the base of the aspects, this paper looks into the characteristic and meaning, relating to a system of his thought. Firstly, it is seemed like that Muyong tried to represent Zen spirits immanent in nature. Nature, to him, is not the object of reverencing or the object for reciting, but something that includes Zen spirits in itself. Secondly, it can be said that he had thought relatively. This fact is found in his poems which he exchanged with Confucian scholars each other. It can be said that his relationship with them might be possible, because he was considerate. Thirdly, his poems shows that he must be large-minded. Actually, he composed a lot of poems which represented his spirit. To be large-minded might be only for the man who has attained the highest state of enlightenment. And it might means that the man attained a state of non-obstruction. He represented many speculation in his poems, so it seems that there arey mixed thoughts. It seems that some poems are based on Zen thoughts, others are on Hua-yen thoughts, even some are on the thought in Changja method

옥봉 백광훈의 당시풍 전개양상 고

박병익 ( Byung Ik Park )
7,000
초록보기
Okbong Paek Kwang-hun(玉峯 白光勳), who belonged to Three-tang School as a literary man in the mid Chosun Dynasty, wrote the poetry of Tang poetic style. His Tang poetic style was quite different from that of China as follows. He commanded colloquial expressions in his poems, used place names of Chosun, and tended to be conventional in using those of China. He made use of various methods to describe the surroundings realistically. He freed from the formal rhythm of a rigid Chinese poetry style, Jintishi(近體詩), and used not only the rhythm of Yuefushi(樂府詩), a style of Chinese poetry which was mostly about human nature and customs, but also Chinese sounds in a Korean style. The theme of Okbong`s poetry shows that he transcended the anxiety and solitude which stemmed from his life, accepting the reality he faced These characteristics led to a new poetical style of the day.

정극인의 증시 연구

유육례 ( Yeok Rea Yoo )
6,400
초록보기
Bul-woo-hun Jeong Geuk-In was a man of letters in early Joseon period. He was particularly talented in creation of Chinese poetry. The < Bul-woo-hun-ga>, one of his verses, is handed down to us. As one of the Gyeong-gi-che-ga, the is presented by him. And , one of his words, is extremely valuable as the first Chinese words. That is to say, Chinese words was initially introduced by Jeong Geuk-In. A lot of Chinese verses written by him are found in , a collection of verses. His Chinese verses include various genres such as Jayeon-si, Doduk-si, Suchng-si and Jeung-si. This study targets Jeungsi, which is written with a purpose for being dedicated to someone. Therefore, if it is examined, his personal relations, thoughts, philosophy and view of life can be identified. It was suggested that he did not make a distinction between Buddhism and Confucianism in that his main subjects of dedication were Confucian scholars, friends, and particularly, monks.

『제봉집』 미등재 시문 연구

이권재 ( Kweon Jae Lee )
6,700
초록보기
Jebong, Go Gyeong-myeong(1533-1592) was a great poet and a writer as well as a patriotic martyr in the Chosun dynasty. He should be regarded as a poet with plenty of poetical emotion, a good writer of majestic spirit and virile style of writing, a true Confucian scholar with the whole personality as well. This study investigated Jebong, Go Gyeong-myeong`s literature which were left off Jebongjib. This study was carried out for the purpose of making perfection the past studies, because they were limited on the works registrated in Jebongjib. First of all, this study suggested all works which were left off Jebongjib. In the second place, it analyzed the thematic characteristics of them. The results of this study are as follows; The total amounts of works which were left off Jebongjib are to 133 poems and 1 prose in all. They were works that Jebong had given to his friends or Jebong had left as his own handwriting. These works could be classified into three dimensions according to the theme; 1) The emotional conflict about the reality and the spirit of affection for the people. 2) The moral integrity and the unworldly disposition. 3) The fatal sentiment and the sense of self-shame. This study made the significant progress in paying attention to the works which were unnoticed in the past studies. It could be helpful to bring out Jebong`s literature entirely. More precise research on the correspondence of those results with the content, the comparison of it with the other works of Jebong, the status and the value of them in the literary history, therefore, should be continued.

이황의 〈도산십이곡〉 연구

정상균 ( Sang Gyun Jeong )
6,600
초록보기
In succession to the poets Song Sun and Hwang Jin-I, Yi Hwang(1501-1570) composed Do-San-Sip-I-Gok(The Twelve Songs of Do-Mountain). This fact has a considerable meaning in the progress of Korean literary history. As the Buddhistic poet Gyun Yeo(923-973) had composed Bo-Hyeon-Sip-Weon-Ga in the form of the national poetry Hyang-Ga at his time, the Confucianistic poet Yi Hwang composed his poem Do-San-Sip-I-Gok in the form of Si-Jo. And as the Gyun Yeo had written his poem on the basis of Buddhism, so the Confucian Yi Hwang, according to the Confucianism, wrote his poem. First of all Yi Hwang`s concerns for Korean language was a notable one. For this was an expression of independent spirit which was promoted after the creation of Korean alphabet. And it is noteworthy that Yi Hwang introduced a new method of philosophic poetry which had been widely favored in the Sung dynasty. That is, even the meanings of ordenary things and usual objects selected in the poems are transfigured as the Confucianistics. Therefore the poetic possility of Korean figurative language was, in result, enlarged and deepend. Though Yi Hwang`s poetics might be connected with the Chinese philosophical one, the poem Do-San-Sip-I-Gok is not a plagiary. The poem Do-San-Sip-I-Gok composed in Korean native language is the fine example of success in utilizing a new poetic method.

이세보의 〈사상별곡〉 재론

정인숙 ( In Sook Jeong )
6,200
초록보기
This manuscript provides a new opinion on Isebo`s , First, I correct the length of the work and reestimate the date of creation. Further, I attempt to discuss the construction and literary implication of the work. Isebo produced huge amounts of Sijo. Out of 450 works, 104 works deal with "love". That he had a plenty of experiences for creating Sijo regarding "love" would be a critical motivation for the production of Gasa . He was getting familiar with a variety of terms expressing sad emotion. By extending such terms he could construct . Constructions of Gasa using words with similar atmosphere were often found in late Chosun dynasty. It seems that Isebo attempted such a way of construction in his Gasa works. Therefore, he could be reevaluated as a Sijo writer who showed a great interest in Gasa.
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