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논문검색은 역시 페이퍼서치

한국시가문화연구(구 한국고시가문화연구)검색

The Studies in Korean Classic Poetry and Culture


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 반년간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 2466-1759
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 22권 0호 (2008)
6,400
초록보기
and are unpublished Gasa. These Gasas were created after the Kyungbokgung (Kyungbok Palace) was reconstructed in 1869. The authors for both of the Gasas were not known. In chapter 2, the esthetic effects and meaning of were described. The history and reconstruction of Kyungbokgung (Kyungbok Palace) were described briefly and praised. The object of the praise was focused on the Kyungbokgung (Kyungbok Palace). This Gasa could be differentiated by the interest on General Lee, SunShin. In chapter 3, the esthetic effects and meaning of were described. Two Third of the work were spared for the geographical features of China and Chosun and famous kings. One third of the work was spared for the history and reconstruction of Kyungbokgung (Kyungbok Palace) and the labor was praised. It is very hard to understand the work due to the usage of difficult Chinese phrases. It revealed the concept on the national border line between China and Chosun. In chapter 4, the structural characteristics of two works were described. Both of the works used refrain phrases(repeating phrases). used mechanical for the rule of versification and used Chinese Character Hyunto style. Rule of versification, 4 by 4 phrase and Chinese Character Hyunto style were the characteristic style for Gasa in the civilization period. In chapter 5, the meaning of the Gasa literature were dealt for the two works.

고려속요 형성에 관여한 외래성

김명준 ( Myung Joon Kim )
7,500
초록보기
The purpose of the current study is to detect foreign elements during formation and development of Goryeo folk songs and investigate their meaning. Therefore, the study examined the origin of Tang music, transmission of China and the history of Goryeo`s acception focusing on the role of Tang music on formation of Goryeo folk songs, and reviewed characteristics of Tang music, influence of Tang music on court feast culture of both countries, etc. Examining the origin and transmission of Tang music through the Sui, Tang, Yuan and Ming Dynasties, Sui and Tang created court feast music using a lot of national music, especially music from the countries to the west of China and the mandolin. And this acception of foreign music became an opportunity of creation of classic literature. During the Song Dynasty, court feast music was expanded by importing foreign music like western music and foreign musical instruments like stringed instruments while succeeding feast music of the Sui and Tang Dynasties. Development of Daegok (Great Song), large-scaled art integrating Sokak Jeongjae includes more western traces than Sokakgasa, especially has foreign features in a sense that Mugo, a tool for dancing, is a foreign musical instrument and musical tone and melody of a mandolin, a western musical instrument, has Tibet`s Rolo rhythm. As for , Abak, a tool for dancing, originated from the west and Changsa(lyrics) originated from Donhwanggok, while as for , Horo, a tool for dancing, originated from the west and a record specifies that it is from the west. Therefore, those three works have outstanding exotic elements beyond China. In addition, it is possible to say that Sokakgasa such as , , , , , etc. were influenced from foreign countries in consisting the whole pieces or part of them in terms of origin, music, poetic word, mixture of multiple languages and rhetoric aspects. They have exotic features beyond China because of the following reasons. With respect to , there is a possibility that Cheoyong is a Islam person and its dance is similar to western dance; in , use of poetic words, the same style as Japgeuk of the Yuan Dynasty influenced by the west, and Janggu-type music with foreign style; in , use of Haegeum, a western musical instrument, the deer symbol is associated with Ghazal, a romantic love poem created in the middle Asia; four phases of can be interpreted into Sanskrit; in , use of a refrain originated from the tradition of Daegok of Tang songs. As stated above, Tang music of the Goryeo Dynasty not only was evidence presenting that musical exchange of Asia included the Goryeo Dynasty, but also prepared an opportunity to improve music of the Goryeo Dynasty to a world-class level. As a result, Goryeo Sokyo, luxurious masterpiece of Asian royal court feast art in the Middle Ages, could be created.
5,700
초록보기
This study has a meaning in two different aspects. One of them is the introductory period of Dongdong to Goryro music as marine music, and the other is its musical meaning. As we know, there are various academic studies on Dongdong in that it is the first Dalgeori(monthly events) song in our country, However, private studies based on bibliographical examination on it are very scanty. Therefore, this study is a private study on marine music rather than studies on genre of Dongdong, focusing on bibliography. As a result, this study identified that Dongdog was introduced to Goryeo music as follows: ① In about 1354?1364 where Japanese enemies frequently invaded our country at late Goryeo, Yutak completed Dongdong and Jangsaengpoga, which was introduced to Goryeo music. Furthermore, ② it succeeded to the custom of ``Chaesi`` of ancient Books of Odes which looked at trend and manners of the public based on customary music. And, ③ its musical meaning is that it was developed through the custom of ``Chesi(collecting song)``. The meaning of the words that song wonderful life and custom of the public is found at the spirit of odes that share grief and joy together with the public. Most of the odes have inspirational nature. Therefore, introduction of Dongdong into Goryro music and the spirit of odes had a great influence on production of Yongbiochonga of early Joseon Period, and ``Hyeokjeong`` 3 of Jeong-dae-up created under the regime of King Sejong shows its custom.

<농가>의 문예미 연구 -어휘와 형식을 중심으로-

김진욱 ( Jin Wook Kim )
6,300
초록보기
Wibaekgyuui is a pleasure to read literary works. it is enjoyable to read and pleasant to tell readers why the task is a reader``s literary researchers. From the angle of carry out aesthetic beauty was discussed. But from inside the literary text US operations are insufficient to find that the judge. So, in terms of the stilted and strange aspect vocabulary well familiar with the beauty of aesthetic A discussion of the double harmony. In terms of style and use of the verb a vocabulary metonymy creative Elaenia generally stepped out of customs, but through ilsangeo literary intimacy and beauty of the phrase is the fact that securing doing literary achievements of the claim. The most common type yeonsijo formal aspects gokgyewa 9 by the friendly and accommodating gokgyereul Elaenia type of destruction that sound strange coming from the harmonious beauty aesthetic based on the claims. thoroughly beauty of the form and content of literary research to find a classic attitude do you think you need in the research literature. Acceptance of the author``s works and Wibaekgyuui is a pleasure to read literary works. it is enjoyable to read and pleasant to tell readers why the task is a reader`s literary researchers. From the angle of carry out aesthetic beauty was discussed. But from inside the literary text US operations are insufficient to find that the judge. So, in terms of the stilted and strange aspect vocabulary well familiar with the beauty of aesthetic A discussion of the double harmony. In terms of style and use of the verb a vocabulary metonymy creative Elaenia generally stepped out of customs, but through ilsangeo literary intimacy and beauty of the phrase is the fact that securing doing literary achievements of the claim. The most common type yeonsijo formal aspects gokgyewa 9 by the friendly and accommodating gokgyereul Elaenia type of destruction that sound strange coming from the harmonious beauty aesthetic based on the claims. thoroughly beauty of the form and content of literary research to find a classic attitude do you think you need in the research literature. Acceptance of the author`s works and influence with involved social change beyond the classic literature of this research methodology is now the general idea that the judge in the attempted this task requires a lot of weaknesses, it is true. However, the methodology is clearly needed. Literature is literature itself, as a pleasure-giving because readers. Want a chance to discuss it later than jeongchihan.

서세동점기 한시에 나타난 충무공 이순신의 형상

박동욱 ( Dong Wook Park )
6,900
초록보기
The Great Admiral Yi Sun-shin has been portrayed in various fields of art. This study focused on literatures, especially Chinese poems, and limited the periodical background as 19thcentury, when foreign countries had overpowered the nation. First of all, this study examined the lists of Admiral Yi Sun-shin relevant Chinese poems, collected from the anthologies of Maecheon Poetic Circles. This is the first scholarly attempt to excerpt, collect and enumerate Admiral Yi relevant Chinese poems in quite amount of volume. It is highly remarkable and noticeable phenomena, that there were many Chinese poems created with the theme of Admiral Yi, in the era of 19thcentury when foreign powers had shown their invasive ambitions. This is the time when foreign powers overcame and maneuvering Korean politics and the intellectuals expressed more and more feeling of helplessness since they could not do anything to overcome the reality. Sometimes, they showed angers or expressed self-destructive feelings. They wanted Admiral Yi to revive and sweep away the foreign power, which were sometimes compared to filthy devils, with the help of Geobukseon that Admiral Yi created. There can be three different types of Admiral Yi relevant Chinese poems in this specific era. First is recalling and reflecting on Admiral Yi, and this type is the most general type. The writers visit Admiral Yi relevant places, the brought Admiral Yi relevant images to mind. Second is writing about the absence of hero and the dark and gloomy days of the nation. These poems have certain hues of deplore. Thirdly, some poems proposed and anticipated for great heroes who could win over foreign powers. Historic heroes are consolations and aspirations for people at that time. The general public could hope for the better future with the firm belief to see such heroes once again. At that time, Admiral Yi was not only a patriotic hero who saved the once endangered nation, but also the tutelary deity who could have saved Korea from foreign powers. The people united thinking of him and could salvage themselves from the helplessness and self-destructive feelings by reflecting on Admiral Yi. Even till now, Admiral Yi and Geobukseon is still appealing to general public, maybe the most attractive historic figure of Korea. He will always inspire us as a courageous hero who will be with us forever.

송강의 시에 나타난 표현론적 세계

박배식 ( Bae Sik Park )
6,500
초록보기
This study aims at not newly discovering characters or values in Song Kang Chong Chol`s literature, which has been recognized as if it was created on the foundation of different literature view and sentiment, but finding out the homogeneity of inherent essence of his poetry and chinese poem(漢詩) by noticing that his works were ultimately, outcomes of a unitany sentiment of writers. The most noticeable aspect of Song Kang`s literary characteristics is also the pragmatic theory that was commonly found out in sadaepu(사대부: a man of noble birth) at that time. This was the reflection of basic thoughts showed in Sadaepu who had respect for confucianism and bureaucratism, and was essential to the standard of value to realize realistic ideal. As a material offering the settlement of trouble, it was a liquor that ofthen appeared in his works. He indulged in liquor advocated intimacy with nature through refined life, but such an attitude was removed from hismind was only empty cry. Song Kang is the very poet that perfectly harmonized the ideological world on pragmatic theory with the sentimental world on the theory of exprssion regardless of form and transcription on the basis of a spirit of literature.

고려가요 <(동동)動動>의 미적(美的) 짜임과 성격(性格)

양희찬 ( Hee Chan Yang )
6,600
초록보기
This study is focused on analizing esthetic pattern of the Dongdong(動動) and showing it`s character and the character of preface. Dongdong used Wollyeongga(月令歌) style. But, after analizing closeness of the content and context, it is revealed that Dongdong is divided into six groups, not like usual works that follows classification of four seasons. And, all 12 months don`t show seasonable customs. FebㆍMayㆍJuneㆍJulyㆍAugㆍSep show seasonable customs but JanㆍMarㆍApril, natural phenomena, OctoㆍNovㆍDec, arbitrary material. The character of Dongdong is Songdojisa(頌禱之詞) not Eumsa(淫詞). The preface play a role of telling supplication that is original intention to make 12months song. 12months song has big structure ; January → April → August → September → December. 1st paragraph is preface, 2nd is February March April songs that show the relation between teller and ‘noksa’(錄事), 3rd is May June July August songs that show the inclination to the ‘Im’, 4th is September song that is the marvelous place that shows steep change, a wonder of the pattern of Dong dong. 5th is October December November January song. October December November song show concretely mental conflict of the teller who was failed to get concern from ‘Im’(임). This mental conflict is showed in January song also. But it is showed by October December November song because there is no situation of the teller in January song. From this contextual character, it is considered that January song play a role of prelude that makes the following songs to reveal gradually the situation of the teller. Like this, Dongdong has circulation pattern, that is, context is revealed through route, as follows ; preface - January song(beginning) - December song(end) - January song …. The content of 12month songs is a woman`s one-sided love to a man. This personal lyricism has became the song of supplication through bonding with group consciousness of preface. This opinion is based on the fact that 12 months songs are using present tense that shows ``the nature of present time`` and ``the nature of scene``. The nature of present time draws out an effect that makes all participants of the scene get together mentally and physically through recognizing relation that people exchange blessing. According to this effect, it is considered that Dongdong comfort, encourage, stir up ``noksa``, chief of the feast.

정훈(鄭勳)의 "우활(迂활) 의식(意識)"에 대한 재고(再考)

오선주 ( Sun Ju Oh )
6,500
초록보기
In "U-hwalga" of Jeong-Hun`s Kasa works the term ``U-hwal`` appears total 19 times and the distribution of its use interest to appear all over the whole of life. That is to say this study notice in view of this that examine the senses and practical use of ``U-hwal`` and rethink ``Consciousness of U-hwal`` on the basis of its. Consequently three senses is as a negative meaning, they are inflected to a positive meaning in case of the position of enonciateur. "U-hwalga" depart not largely from the significant category as well. Precisely he identified his life with the senses of ``U-hwal`` and then, positively affirmed his life through ironical expression to begin from between a track of virtual life and the speaking of ``U-hwal``. In other words, Jeong-Hun used the term ``U-hwal`` that reinforced the thesis, course and searching for his life. This use of it``s term resulted in an expression both a declaration of the ideological and spiritual superiority and an attitude of life as opposed to actuality in the present age. Therefore Consciousness of U-hwal is a discourse that arise from Jeong-Hun`s discernment to contemplate the difference of the real wold from his own self.

정극인 한시의 미학

유육례 ( Yuk Rye Yu )
6,000
초록보기
Jeong Geuk-In is a poet at the beginning of Joseon Period. A collection of his Chinese poems titled includes about 57 Chinese poems of quatrain and verse. His Chinese poetry shows aesthetic of relations. His poetry songs admonition, farewell, harmony and longing. Among them, poetry of farewell and admonition have greater gravity in his poetry. Jeong Geuk-In songs love of neighbor and appreciation of king and country in his poetry. He practices the saying by Confucius himself. He loves people and friends in his community. His poetry reveals real expressions as they are rather than symbols and implication. What he is to pursue is expressed in his poetry. He intends to reveal his thoughts and a view of life in his poetry. Mr. Jeong shows truth of spirit most seriously in this poetry.

최부의 <표해록>에 대한 두 가지 의문

이복규 ( Bok Kyu Lee )
6,700
초록보기
This paper addresses two problems concerning Pyohaerok by Choi Bu that have been unnoticed or neglected so far in the academic circle. One is on the existence of dual title: Jungjo Mungyeon Ilgi and Pyohaerok. It is doubtful whether the two titles were intended to mean the same or only one title was meant to be appropriate. The other concern is how Choi Bu, a member of Confucian magnates who followed Jeompiljae Kim Jongjik, actually responded to the life-threatening experience of going adrift at sea and what it truly meant to him on the spot. The existing studies seem to overlook a possible significance of these questions, often bypassing the truth. 1. Why did he originally entitled the book Jungjo Mungyeon Ilgi, but why was it posthumously retitled to Pyohaerok? According to Joseon Wangjo Sillok, King Seonjong recommended him to write a journal. Choi Bu, under obligation, narrated his experience in a form of journal to dedicate it to the king, so that the title included ``journal.`` But a question arises: why did he restrict himself then by entitling his journal Jungjo Mungyeon Ilgi instead of directly mentioning the days or experiences lost at sea? Did he think little of his wreckage experience? Very unlikely. Literature has it that Choi Bu told those who came to comfort him all the stories of his boat`s going adrift at sea after wreckage, even to the extent that he came to be slandered afterwards. All these facts considered, it is more likely that he had to use two tactics for narration: candidness before his friends and a lesson-gathering, royalty-proving attitude before the king`s court. The reason why the book came to adopt the title Pyohaerok after his death is deemed to hint at the awareness that the inappropriateness or the limitation of the first title should be anyhow overcome. 2. How did the author respond to this crisis of life and death? In the existing studies, Choi Bu`s scholarly nonchalant attitude unlike that of the crew members was underscored. It is beyond our imagination, however, that he only sticked to a rational attitude as a Confucian magnate rather than rely upon a religious supplication. Facing an extreme danger, in fact, the Confucian magnates in Joseon tended to respond religiously contrary to our common belief, which makes us in limbo so far as Choi Bu`s reluctance to pray for heavenly salvation. A scrutiny into Pyohaerok indicates, however, that Choi Bu was not an exception since there was a scene where the author`s religious appeal was present without doubt. In front of death, Choi Bu prayed to Heaven, not merely trying to rationally cope with the crisis. It is noteworthy that the academic circle has not properly addressed the problem yet. The reason might be a prejudice regarding the relationship between Confucianism and Confucian magnates and their religion. The prejudice could extend to the biased belief that there is no idea of God in Confucianism, all the magnates thus being naturally atheists. The religious attitude of Choi Bu is different from that of shamanism since it is differentiated in terms of perceived cause of suffering, the nature of prayer and so on. First, he ascribed the cause of suffering to his own sins. Second, his prayer is not just for personal benefit, unlike the shamanistic tradition. More precisely, it is a petition for the lives of 40 other crew members since he prays for mercy making it clear that the lives of innocent people should not be claimed. This prayer of Choi Bu`s as a Confucian magnate runs up to a redemptive prayer, which is believed to set an example for today`s elite.
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