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논문검색은 역시 페이퍼서치

한국시가문화연구(구 한국고시가문화연구)검색

The Studies in Korean Classic Poetry and Culture


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 반년간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 2466-1759
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 23권 0호 (2009)

옥봉 백광훈 연구

권순열 ( Soon Yoel Kwon )
6,400
초록보기
Okbong Baek, Gwang-Hun who is one of the most greatest poets in the mid-Joseon Period did a great contribution to development of Tang-style poetry. So he is called one of the Three Famous Tang Poets. And he is also recognized as one of the Great Eight Writers who contributed to the development of poetry in mid-Joseon period. He introduced emotion and rhythms of Namdo people to the frame of Chinese poetry to raise elegance of Chinese poetry in Joseon period and demonstrated that Chinese poetry could be elaborated through Korean people. He was titled the best master in writing a quatrain with five Chinese characters in each line(named Oungelogu) and established a tradition that a position of poet is considered as an occupation. Such tradition began from Park Sang and Okbong completed it via Im Uk-Ryeong. Okbong was in charge of reception of Chinese diplomats in under the 5th reign year of King Seonjo though he was not a noble. It encouraged him to be royal to the king as a literary person as it was very glorious to him. At that time, he was in low grade of position, but he was cordially served and evaluated as a great poet. There have been many studies only on his poetry. However, he was a famous calligrapher of cursive characters in Honam area in mid-Joseon period. So his writing style is called Okbong style. Few of his calligraphic writings left. , `Youngho` and `Jeilgangsan` are still extant as some of his writing. This study suggests that further research on him should be developed for expanded understanding of his life and writing.
6,900
초록보기
Chosun-dynasty embraced Confucianism society as the family center. The Sijo was the literature which Chosun-dynasty was representative. This research is the family and family ethics which appears in Sijo (especially 16~17th centuries Hoonmin Sijo). The contents divides on a large scale at two. First is a work analysis. With the father and the son, and the elder brother the younger sibling, the husband and the wife analyzed the song one work. In afterwords, with character investigated a work analysis about family ethics. This gets divided at two. The one is `Hyo moral emphasis[효행의 강조]`, the other is `Respectability and harmony`. The `Hyo moral emphasis` is the father and son relationship and brotherly relationship appears in the song one Sijo. These Sijo speaks the friendship of the sibling and is one blood line and emphasizes. This means, between the sibling being joined together living well finally the `Hyo` back, `The respectability and harmony` are mainly discovered from the Sijo which makes the husband and the wife with subject. Generally, one family relation as perpendicular is being recognized a Confucianism ideology with character. But, the family appears in Sijo, aims to harmony. Of course, the features of the family which is expressed in Sijo, will not be the features of the family which is actual. Because, these Sijo works in goal of edification, to present the proper family as a matter. But, with this research O-Ryoon(五倫)`s aim proper value and should be to think the aspect where it is embodied in `Family Sijo`.

불가(佛家) 사찰제영시(寺刹題詠詩)의 문학적 지향

김석태 ( Seok Tae Kim )
6,800
초록보기
Man lives in continuous relationship with his surroundings. Surroundings in human life have various layers including natural environment and human relations. Literature also differs its characters according to its surroundings. Especially a Chinese poem whose structure is based on meeting of human and nature can vary in accordance with poet`s perception in nature. Most of korean temples locate in nature with beautiful hills and pure water for a background. Therefore many poets and artists have used temples as a place of literature and creation. This paper go into the study of chinese poems connected with temples which are korean brilliant relics and also beautiful nature environment. In general, these chinese poems are called as temple-poems. Not a Confucianist`s but a Buddhist monk`s temple-poems are studied in here. First, temples represented in temple-poems of Buddhist literature were breathing spaces contrasted to the mundane world. This breathing time pursue mental calmness rather than break after labor. Second, poet, actually who was just a Buddhist monk, thought beautiful nature of temples as the world of Taoists as if he had been one of them. Third, Buddhist monks` duty is to get spiritual awakening through out continuous self-training. That is son(Buddhist meditation). Temple was surely the place where Buddhist monks got enlightenment and examined themselves. Finally, whole history of Korea and Buddhism is kept in temples. Confucians` temple-poems are mainly appreciating the beauty of nature. On the other hand, Buddhist monks` temple-poems aimed at lofty spirit by entering deep into the nature.

주제적 관심을 통해 본 규방가사의 세계

김석회 ( Seok Hoi Kim )
7,100
초록보기
This paper is a research on the characteristics of gyubanggasa in view of its ultimate concern. Gyubanggasa is the products of rural gentry`s economic situations and social positions of premodern society. The women of rural gentry generally had to marry in their early teenage, almost about 12-16 years age. They also had to live with their parents-in-law and their children, grandparents-in-law and their children. They had to serve this large family. To make worse, rural gentry`s economic situations and social positions became worse and worse. Therefore the life of the women of rural gentry was extremely hard. Gyubanggasa is the discussion of their difficult task in their marriage life, and also is the decision of carrying out their task, and also is the communication-and-pause of their inner self.
7,200
초록보기
When we compare Tao Yan-ming with No Gye(Pak In-lo), they have something in common in that they had become ruined peers despite of a high social rank and special titles of their ancestors. Tao Yan-ming lived in Wi·Jin period which was the most confused and darkest in Chinese history and No Gye lived in the turbulent period which was filled with party fraction and invasion from Japan and China. In spite of these changing social situation, both of them were absorbed in literature. After the period of studying, Tao Yan-ming served in a literary man while No Gye served in a soldier. Although Tao Yan-ming had the desire to escape from poverty and No Gye had the motivation and patriotism to cope with turbulent period. they soon realized the sense of futility and returned to nature due to their nature-friendly disposition. No Gye tried to follow Tao Yan-ming`s thoughts, verse abd poems because he always admired Tao Yan-ming` life and personality. Like Tao Yan-ming`s `returning to nature`, No Gye recited poems which pursue homecoming after his resignation from a government office. The similarities in works in Tao Yan-ming and No Gye are as follows. The first is that they grew up in rural community and farming are is their growth background. Therefore, they became interested in poverty but they live in a small way regardless of riches and honor. The second is that they had a longing for `leaving nature as it is` in a peaceful world like Mu Hui`s and Gal Cheon`s people. The third showed the love for a chrysanthemum in his poem by comparing a mum which sends forth a sweet fragrance till withering with the symbol of a hermit and a noble scholar. The fourth showed the yearning for returning to nature which gave out pure simplicity in their poetic life. No Gye`s ideal world in Utopia pursued confucius conception based on reality. The last is that Tao Yan-ming regard life as destiny while No Gye looked upon life as something enjoyable. Sometimes No Gye revealed his desire to take part in real political life while Tao Yan-ming consistently tried to pursue a complete hermitage. In conclusion, Tao Yan-ming tried to describe confucian rural life based on `fresh nature` in Wi·Jin Period. On the other hans, No Gye`s literary works showed the real description of in order to give common people some instruction about loyalty and filial piety and patriotism.

가사 양식의 전통 유형과 계승방향

김학성 ( Hak Sung Kim )
7,300
초록보기
To examine the question of modern succession to the style of Gasa, this thesis aimed to explore its stylistic identity extending over the various levels such as its form, genre, style and pattern and establish the possibility of its being connected to modern Gasa and the desirable direction based on it. In the process, I knew that a literary style called Gasa depended on with what degree of power to influence a message to convey is effectively described making a literary impression on us and that various descriptive strategies and literary devices and techniques according to it were used. By doing so, I also explored that it did not convey a message in a common and stiff prose style but provided it with sentimental and poetic power to influence not by conveying it simply but by conveying it `passionately` through the metrical device of tetrameter with the rhythm our people is most familiar with. Examining pattern by pattern the direction in which the style of Gasa was succeeded to in modern times based on its feature, I gauged its new application and potential possibility as modern Gasa.

하천(霞川) 고운(高雲)의 문학에 나타난 사유(思惟)

박병익 ( Byung Ik Park )
6,200
초록보기
Hacheon Goh-un(1479~1530) was the main motive that made the Gohs from Changhung grow into a distinguished family in the sixteenth century. Since then, the family had produced literary men such as Goh Gyeong-myeong. Hacheon studied Sung Confucianism and passed the civil service examination. However, he was in adverse circumstances during his government post because he was implicated in the Kimyosawha, a massacre of scholars in the year of Kimyo. I analyzed the poems in Hacheonyugo collecting his posthumous works, which led to the following. He developed his view on Muwang and Baeki in Baekiron, a book about Baeki, with the theory that both sides were right. He expressed the idea that an elder brother should teach his younger brother duty to make him realize his negligence in his book Igyeokmoonjeon. He held the opinion above on the basis that the Sky means rightness and responsibility. Most of his poems were written while he was in a state of despondency after the Kimyosawha. They are characterized by the description of his great determination to put his belief into practice as a government official.
7,600
초록보기
Youngjae You Deuk-gong was a poet leading new poetic style in 18C. His early poems in Hangaekgunyounjib were famous not only in Chosun also in Ching. Searching his early poems means approaching poetic world of an individual and understanding an aspect of new poetic style in 18C. Youngjae`s early poems mainly contained sorrow and lamentation. However these poems weren`t buried in sorrow and lamentation, they showed pointing of ingenuous life similar to poetic style of Dojam or Weeungmul. Also Youngjae`s unique poetic style indicated not mountains, waters and farms in ideas but realistic style that he described figures of farm in concrete life. We can confirm Youngjae`s concern about history because he wrote a lot of poems for retrospection and history in remains. Although these poems assumed a sorrow mood, they contained considerable information of geography and history of Chosun. In poems for retrospection and history, he was interested in lives of the present and he wrote poems animated realism and the feeling of movement. It is result of awareness that this time become a page of history. Formally his poems outstand for pursuing Tang`s style. He used Dubo`s writing style that a style of Chinese verse came to head in form with pursuing musicality using a particle in classical Chinese and repetition of word, amplification of reverberation through poetic diction disposition, using the canon of composition and antitheses, serving the "Four Tones" of classical Chinese and so on. Of course he had an unique style indicating affectionate remembrances about things and his mind indirectly. Works with characteristic poetic style from novel ideas excelled in putting up ancient history. However he didn`t arrange only ancient history. Through this he said his thought in a roundabout way or mixed up reconditely. Besides in process of poetical imagination, connecting novel ideas witty and naturally can be praised. He created a lot of works which surpassed for novel ideas and wit. He quoted just a little part of ancient history and authentic precedents and twisted them for opposite meaning.

강호가사(江湖歌辭)의 전통(傳統)과 계승방향(繼承方向)

손종흠 ( Jong Heum Son )
6,800
초록보기
In the early 20th century, when Japanese imperialists started to conquer the world, the Gasa literature failed to work properly, except the Naebanggasa. Especially the Ganghogasa, composed by Korean scholars, could not be maintained due to the arrival of the new style, free verse, from Western culture. After the year 1945, Gasa eventually disappeared from the Korean history since it was considered as an old form of literature in the new Korean education. Although the 20th century was a period of time in Korean history when the literature of Gasa and Ganghogasa declined, they were enjoyed through reading and writing till the middle of the 20th century. The reason for this was because literary works in the form of Gasatype, a printed book, and Naebanggasa had spread all over the country. After that period, the rural literature collapsed due to the rapid progress of industrialization, and finally ended up as a loss of enjoyment involving the Gasa literature, thus making of enjoyment disappear from rural literature and, Gasa just became by-products of the old Korean literature in history. Nevertheless after the time of early 21th century, the Gasa literature and Ganghogasa have seemed to revive. Actually nowadays many pieces of work in the form of Gasa in 4.4 Jo or 4 Umbo with various topics are disseminating all over the country through the internet, and a new trend of life called Well-being also helps Gasa to revive. Since literatures written in the form of Gasa show the same topics with modern people`s lives such as Sijibsari, sympathy between an old and modern people could produce a root of the new revival of Gasa literature. In addition, Well-being trend providing people more opportunities for contact with nature and expectancy about expression of nature based on the form of Gasa boost the restoration. Thus it is expected that Ganghogasa, also called Well-being Gasa, would play a role in Korean literature as a new modern trend.

<속미인곡(續美人曲)>의 진면목(眞面目)

양희찬 ( Hee Chan Yang )
6,500
초록보기
Jeongcheol`s `Sokmiingok` is a love song that is based on innate and extremely devoted a loyalty to a king. In this work, the main context and writing motive is the worrying heart of speaker who want to get a news from her lover(the king). The purpose of this study is to find out esthetic cohesion of context, through arranging the content of work by time order, and analyzing the meaning of expression. Every act of this work has been done in the past time except this ond day schedule. It is the first step to understand structure of this work. The concrete and practical description is the figuring technique that generate speaker`s innermost feelings effectively. Expressions are accorded with writing purpose and an idea consistently. And cohesion of the context can be showed from continual enumeration of acts that is in the flowing time. At the end, two speakers are figured by two heart of one man. Main speaker is the one who speaks innermost feelings. The other speaker play a role that does main speaker`s `speech` and show real situation of main speaker in the last part.
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