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논문검색은 역시 페이퍼서치

시학과 언어학검색

Poetics & Linguistics


  • - 주제 : 어문학분야 > 언어학
  • - 성격 : 학술지
  • - 간기: 연3회
  • - 국내 등재 : -
  • - 해외 등재 : -
  • - ISSN : 1598-2793
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 27권 0호 (2014)

이른바 “목적어 있는 피동문”에 대한 소고

김용하 ( Yong Ha Kim )
시학과 언어학회|시학과 언어학  27권 0호, 2014 pp. 7-24 ( 총 18 pages)
5,800
초록보기
So-called passives with an object have been regarded as an intricate issue to address in Korean grammar. Since Lee (1970) treated such constructions as indirect passives, various attempts have been made in accordance with the development of theories. Recognizing that such attempts have been fruitful and taking their gists into its analysis, this study tries to propose a novel approach to passives with an object. After all, this study shows that such passives are derived in a dual structure where inner passive is carried out within the projection of the passive suffix and outer causative surrounds the construction.

“찬기파랑가”의 단락 구분과 해독

서정목 ( Chung Mok Suh )
시학과 언어학회|시학과 언어학  27권 0호, 2014 pp. 25-52 ( 총 28 pages)
6,800
초록보기
All of the 10-line-form Hyang-ka except ``Chan-Kiparang-ka`` consist of three meaning paragraphs, that is, 4-lines/4-lines/2-lines. However, ``Chan-Kiparang-ka`` seems to be divided into three meaning paragraphs such as 3-lines/5-lines/2-lines or 5-lines/3-lines/2-lines. In this paper, I argue that the original paragraphs of ``Chan-Kiparang-ka`` were constituted as 4-lines/4-lines/2-lines, and that it was wrongly recorded with the fourth and the fifth line switched, through consideration of the meaning of the poem,The main point worthy of note is two spacial backgrounds of the forest. The one is the third line which can be deciphered as the part of the sky where the moon faded away following the white clouds, and the other is the fourth line which can be deciphered as the bank of the stream which divides sands, in Kim, Wan-jin(1980)`s decipherment. These two spacial backgrounds are not the same place where the forest can exist. The forest of big cone pines can stand against the part of the sky where the moon faded away, but it cannot stand by the bank of the stream which divides sands. The bank of stream in this poem symbolizes the politically straitened circumstance into which one has fallen just like into a trap. It means the same political difficulty alluded by the sixth line which can be deciphered as Il-o brook pebbles field. Therefore, the spacial background of the forest in the fifth line, which can be deciphered as the forest which looks like Ki-rang[one old Hwarang]`s figure, must be restricted to the part of the sky where the moon faded away following the white clouds. If we change the order of the fourth and the fifth line, the forest should stand against the part of the sky where the moon fade away, and the bank of the stream means the politically difficult circumstance as Il-o brook pebbles field. And then we can decide that ``Chan-Kiparang-ka`` is also divided into three meaning paragraphs as 4-lines/4-lines/2-lines like all other 10-line-form Hyangkas are.

별자리 천문화소 두우성(斗牛星)의 서사적 수용 양상과 해석의 문제

김수연 ( Soo Youn Kim )
시학과 언어학회|시학과 언어학  27권 0호, 2014 pp. 53-75 ( 총 23 pages)
6,300
초록보기
This study is taking note of astronomical imagination around stars and constellation among aquire modes seizing the heavens. Among these, the old story of Douniuxing(斗牛星) being built at an early age has the status not only as a historical novels but also as a representative astronomical authentic precedent over its entire period of literature. Many literary bureaucrats is making the best use of it, but today, in the process of modern language translation, errors are made constantly. So, this writing considers what the character of 斗牛星 is, what the acceptance aspect of 斗牛星 story unit is, and after contemplating the narrative images in the course, it suggests that the analysis problem and its meaning should be corrected. Constellation in the night sky is a representative cylindrical enclosure providing infinite imagination to human. Not to mention the Altair and the Vega tale, through the story of a man who was a constellation in the previous life, that is the castle of the heaven, getting through in the world of human being, and the remarkable hero who excels at astronomy, we have finally found out the encountering between the heaven and the human. People are engraving their own heaven in the literature activity such as story-making and reading. Culture is the activities that we chase in our lives. The desire for finding the grounds or materials of the pattern in heaven, or by making the constellation, the pattern of the heaven fall down the human world, what they want to live with themselves may be the simple transcendent desire of the people. It is the desire drawn astronomy, the main part of the ancient disciplines of kingship into the people`s lives. While the astronomical imagination of hierarchy used for the maintenance of power, that of the general people appears as a simple transcendent desire to overcome their harsh reality. The astronomical imagination of the ancient novels, which the heaven and the human can come and go, and communicate each other whenever they want, it has a deeper meaning in that the imagination catches the relationship between the heaven and the human which the coriander layer of novels has thought.

시조와 대엽조 악곡의 결합 원인과 노랫말의 배분 원리

황보관 ( Kwan Hwang Bo ) , 성호경 ( Ho Gyong Seong )
시학과 언어학회|시학과 언어학  27권 0호, 2014 pp. 77-126 ( 총 50 pages)
12,500
초록보기
In this study, we investigated causes of combining Sijo with Daeyup`s tune music and the principles of lyrics allocation in the combination, for more advanced understanding of the relationship combined between Sijo and music-wconsisted of chapter 5, the music format itself of both things showed almost similar patterns. On the other hand, there were both similarities and differences in the patterns of lyrics allocation due to the differences in lyrics format. Although lyrics with a type of three rows and music with a type of chapter 5 were not combined proportionally in 『Yanggumsinbo』 Jungdaeyeop, in the case of Bukjeon, lyrics with a type of three rows and music with a type of chapter 3 were combined proportionally. Looking at the formal terms of lyrics and music, Bukjeon showed to be more appropriate for Sijo music than Daeyup`s tune music, Bukjeon has rarely used as sijo music, and only Daeyup`s tune music has been developed as a representative music since『Yanggumsinbo』. With regard to these phenomena for people at that time, it was Sijo music containing contents based on confucianism, and Daeyup`s tune music recognized as a representative music based on a view of confucian music was accepted properly, but it`s estimated because Bukjeon recognized negatively from the point of view of confucian music was not accepted appropriately as Sijo music. For these reasons, although Daeyup`s tune music was selected as a representative music of Sijo, a way of lyrics allocation in 『Yanggumsinbo』 Jungdaeyeop had similarities and differences with existing Mandaeyeop, because the lyrics and Sijo of Mandaeyeop showed differences in its format. The differences appeared in chapter 3, in lyrics allocation here, it seems to be selected as a way of allocation to reflect structure of poetic aspect among several ways of lyrics allocation to make contemporary music`s customary lyrics allocation possible.

고려인 시문학 속 여성상의 변화 양상-『레닌기치』를 중심으로

강회진 ( Hoe Jin Kang )
시학과 언어학회|시학과 언어학  27권 0호, 2014 pp. 127-150 ( 총 24 pages)
6,400
초록보기
The purpose of this study is to focus on the changes of women`s image that is shown on the poetry in the Lenin Gichi literary magazine. The changes of women`s image can be divided into two parts. First, the women`s image is claimed for Soviet literature, second, that is claimed for perestroika. Before 1980s, women heroes in a poetry devoted their whole life to construct socialism even though they were in all kinds of difficulties and struggles They didn`t agonize over contradiction between reality and ideals. The author only described and praised their pure behavior, however they never described their inner world. Socialism realistic literature lacks reality in that it blindly follows ideology. But on the other hand, the realities which culture shows may be the people`s hope as well as their real life. Hoping to take root into Soviet ruling class and to be incorporated into main society, in other words, we can understand that it reflect the directivity of soviet-Korean not the worth of others. As distinct from this, new poetry which showed the changes of direction was created by perestroika and glasnost in 1980s. Soviet literature encountered big changes with the policy of perestroika and glasnost. The Women`s Image in Soviet-Korean Poetry showed the changes as well. Surely, ‘Mother’ which they called represents different person, while they called ‘mother’ a labor or a person who concentrated on the construction of soviet community. We can see the differences in symbolizing subjects as well as materials.
7,000
초록보기
This study aims to select a list of loanword vocabulary for Korean language learners. First of all, this study tries to define the concept of loanword and determine the range that should be dealt in Korean education as a foreign language to improve efficiency and effectiveness in teaching and learning loanword. Secondly, a essential loanword list was selected by analyzing preceding studies and frequency of loanword in 2 million word sized corpus and Google website, and also by subjective assessment which was conducted by five Korean language teachers. Most of all, in order to include loanword widely used in recent years, a 100,000 word sized corpus of internet news articles was built and analyzed, therefore the high frequency loan word used in recent internet news article was added. As a result of such a series of process, a essential loanword list with a high priority in vocabulary education could be selected.
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