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> 한국중국학회 > 중국학보 > 74권 0호

중국학보검색

Chung Kuk Hak Po [Journal of Chinese Studies]


  • - 주제 : 어문학분야 > 중어중문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1226-850x
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 74권 0호 (2015)

어문학부(語文學部) : 현대중국어 형용사 사동 용법의 사전적 처리 연구

오문의 , 마문나
한국중국학회|중국학보  74권 0호, 2015 pp. 3-37 ( 총 35 pages)
7,500
초록보기
本稿首先根据具有使用用法的形容詞(A)帶賓語(O)時,中間是否必須加"了",對70個單音節形容詞和86個雙音節形容詞,進行了分類。接着,考察了這些形容詞的使用用法在≪現代漢語詞典≫(第五版、第六版)和≪現代漢語規范詞典≫(第3版)中的詞類歸屬問題,以及形容詞的特征。在考察的156個形容詞中有些形容詞在詞典中標記爲形容詞以外的其他詞類。這說明漢語詞類劃分仍存在一些困難,特別是動詞和形容詞之間的界限十分模糊,更加難以區分。考察156個形容詞在詞典中的分類結果如下: 第一、A后不加助詞"了"可以直接帶O的,卽具有AO形式的,在詞典中標注A具有使動義的情況居多。"勻、正、穩"雖然不能直接帶O,但這3個A可以用于"A(一)AO"和"把"字句,說明這3個A具有强的흔强性,因此在磁典中標注了타們的使動義。此外,"偏、歪"具有AO形式,但是詞典中沒有注明타們的使動義,應該予以補充。第二、可以用于"A(一)AO"和"把"字句的A具有흔强的謂詞性,這樣的A在詞典中注明具有使動義的情況居多。"濕、硬"能구用于"A(一)AO"和"把"字句,但詞典中沒有注明타們的使動義,應該予以補充。第三、通常使動義A的賓語都是无定名詞,无定名詞做使動義A的賓語是无標記的;但當使動義A的賓語是有定名詞時,說明A具有흔强的謂詞性。也就是說,依据賓語是否具有限定性,可以判斷A的謂詞性强弱與否。因此,賓語是否具有限定性,也可以做爲判斷漢語的形容詞是否具有使動用法的重要依据。雖然形容詞之后帶有定賓語的用例爲數不多,但這樣的形容詞由于具有흔强的謂詞性,應該看做形容詞和動詞的兼類(如: 軟, 窘).

어문학부(語文學部) : 월북토화(粤北土話) 知莊章精組 성모의 변화

모정열
한국중국학회|중국학보  74권 0호, 2015 pp. 39-59 ( 총 21 pages)
6,100
초록보기
文章認爲粤北土話知庄章精組聲母的讀音類型中知二庄精與知三章兩分的類型( (1)類型)不可能是知庄章與精組對立的類型( (2類型)的前身,兩者應該是從知二庄、知三章、精組聲母三分的原始粤北土話中經過不同方向的歸幷各自獨立發展出來的。但知庄章精組聲母合一的類型( (3)類型應該是最晚期的發展階段,(1)類型或(2)類型中分立的不同聲母進一步合流的結果。筆者認爲粤北土話中知庄章精組聲母的合流主要跟三四等韵中[i]介音的失落和粤方言聲母特征的直接影響有關。粤北土話中三四等[i]介音失落主要發生在①帶-i韻尾的三合元音韻母,②"[i]介音+韻腹+鼻音韻尾"的鼻音韻母里頭。前者可能是土話本身歷史演變的結果,而后者則和粤方言韻母特征的影響有關。本來在[i]介音前腭化成舌面前塞擦音擦音的知章組(或精組)聲母,随着与它配合的[i]介音失落,逐漸變成舌尖前塞擦音擦音。有些土話后來受到粤方言聲母特征的影響,進一步變成葉音。

어문학부(語文學部) : 副詞"反正"的詞휘化及語義功能硏究

주기하
한국중국학회|중국학보  74권 0호, 2015 pp. 61-82 ( 총 22 pages)
6,200
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本文以探究高頻副詞"反正"的詞휘化過程及語義功能爲硏究目的,運用語法化理論,從歷時角度探討分析了副詞"反正"的詞휘化過程與形成机制,同時使用認知語言學理論,對副詞"反正"共時平面上的語義功能進行了分析,幷考察了各義項之間的深層語義聯系。硏究表明,副詞"反正"是由幷列詞組"反正"詞휘化而來的,主要演變動因有從"主語"、"賓語"位置到"狀語"位置的移位,所搭配的名詞的語義逐漸抽象化,以及複句語境的形成等,在這些綜合因素的影響下,"反正"獲得了副詞的功能。詞휘化的主要机制有轉유和主觀化。在轉유机制的影響下,"反正"由表示"反面、正面"語義演化爲"表示一切"。卽,"反"和"正"兩個極端,在部分代替整體的映射下,變成了"統括"的語義,完成了語義抽象化。在主觀化的影響下,隨着表示"同志統括"意義的"反正"的進一步虛化,其主觀色彩逐漸變農,從而獲得了表强烈語氣的功能。以上的演變動因與語法化机制的闡述,彌補了旣往硏究主要使用隱유机制說明時所帶的平面解釋的局限性。同時,本文還對副詞"反正"的語義功能進行了探究,幷梳理出影響"反正"語義分化的兩個重要語義分化点:"判斷"與"選擇"。"反"、"正"之所以會與"判斷"、"選擇"有關,是因爲二者間存在邏輯上的槪念的矛盾關系,幷存在反對關系。當需要對現實做出判斷時,"反正"獲得"서實義",相反,當需要對非現實做出判斷時,"反正"獲得"推斷義";當做出部分選擇時,"反正"表現爲"讓步義",而當做出整體選擇時,"反正"表現爲"周遍義"。在"反正"的語義分化過程中,最初重視的是判斷,卽判斷是"反"抑或是"正",而后來發展成選擇,卽選擇"反"還是選擇"正",重視的是所選擇的對象。到了第三階段,就發展演化爲忽略選擇的對象,而相對重視"選擇"本身,由此"反正"就具備了"無論選擇什요"的語義。"反正"從最初表達事物的兩面性,發展到表達說話人的感情;從兩個獨立的詞語演變成一個表達語氣的槪念,是句法環境的變化、轉유、主觀化等共同作用的結果。

어문학부(語文學部) : 현대자연과학과 융복합적 중국학 연구

오태석 ( Tae Suk Oh )
한국중국학회|중국학보  74권 0호, 2015 pp. 83-112 ( 총 30 pages)
7,000
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After the Einstein’s Relativity Theory and Heisenberg’s Quantum Theory there came an new era in the history of science. Newtonian mechanics is no more effective. Instead Uncertainty replaced certainty, Traditional absolute space and time which events are taken place is can wrap and curve with gravity. These new discovery impacted not only Natural Science but also all over the Human Science, Arts, Painting, Literature, and Music. Meanwhile Ancient East Asian Thoughts include Buddhism focused on event rather than matter. A Book of Changes and Laozi and Zhuangzi focused on mutual contraction. Yin and Yang, phenomenon and inner essence. It would be proper to say that Chinese main thoughts are similar to the 20th century’s New Physics which means decline of absoluteness in some meaning. We doing Humanities are not free from this huge tendency. And it would be meaningful to study Sinology from the aspect of convergence. At the end of my article, I presented my examples of interdisciplinary cases in Sinology from Yi-jing, Laozi Daodejing, and Zhuangzi’s texts.
6,300
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杜牧「山行」在唐詩中具有獨特價値的名篇, 以平易近人的語言及表現方式, 讚美秋天的楓葉, 至今廣爲流傳. 國內學者飜譯介紹該詩, 唯獨在第三句"停車坐愛楓林晩"的解釋方面, 衆說紛운. 究其原因, 就是對``坐``字的用法, 理解不同之故. 在國內飜譯「山行」中的``坐``字, 有三種說法 : ``動詞說``--動詞``坐下``的意思; ``介詞說``--介詞``因的意思; ``副詞說``--副詞``自``(無故)的意思. 至今爲止, 這三種說法被國內學界所接受, 是因爲用以解釋全詩, 看似在句法ㆍ文理上沒有任何問題.根據本文的硏究, 「山行」中的``坐``字幷非動詞或介詞, 而是副詞``自``(無故), 其作用爲修飾動詞``愛``, 以表現出對美景的陷入ㆍ陶醉的境界. 換言之, ``坐``字作爲透露詩人內面意識的詩語, 表示深醉於楓葉美景的無我之境.

어문학부(語文學部) : 잠삼(岑參) 자연시의 묘사기법 고찰

배다니엘
한국중국학회|중국학보  74권 0호, 2015 pp. 137-158 ( 총 22 pages)
6,200
초록보기
岑參(715-770)是盛唐之一位重要邊塞詩派詩人. 岑參有長期的邊塞生活經歷, 因而創作出了成熟風格的邊塞詩, 詩中也描繪了諸多奇異瓊麗的邊塞風光. 但實際上觀看他的詩歌, 其中描繪山水景物的優秀之作也占有着重大部分, 以其篇數來看多于盛唐山水田園詩派詩人祖영、丘爲、裴迪、盧象等人. 本篇論文着眼于上記的內容, 在主要三個方向下分析了岑參自然詩的特點和意義. 第一, 岑參通過自然追求意識創出了含有閑雅意境和隱逸抒情的自然詩. 岑參早期的詩歌, 多寫景之筆, 且有不少詩, 以描摹山水風景爲主要內容. 有許多贈答、送別、寫景之作, 表現對隱居生活的留戀和自己的自然追求意識. 第二, 岑參以絶妙構思和意境創出了新鮮奇妙的情景描寫. 岑參理想尙奇的性格氣質, 造成其詩歌藝術表現的理想化、奇創化傾向, 而其主要傾向以他的獨特絶妙構思和意境爲創出的. 第三, 岑參自然詩的最大特徵是種種發揮秀麗淸新的修辭技巧. 岑參的詩無論是邊塞詩無論是自然詩, 他的詩中有時發揮的流麗工巧的修辭技巧能附與新鮮活潑而生氣勃發的氣韻, 也正體現了對開天詩壇昻揚高朗的主體情調的奇幻般的推擴與發展. 能爲豊富盛唐自然詩的語言和風格.

어문학부(語文學部) : 『汪文摘謬』著成年代考

김호
한국중국학회|중국학보  74권 0호, 2015 pp. 159-167 ( 총 9 pages)
4,500
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『汪文摘謬』 一書爲(淸)葉燮所撰,專以指摘(淸)汪琬爲文之失,雖然書中夾雜意氣之爭的成分, 但其討論課題多爲中國文學批評史上之重要觀念。然而,目前爲止,鮮有人注意『汪文摘謬』的著成年代。本文在前人硏究成果的基礎上,依據汪琬集子收錄『汪文摘謬』所摘汪文的情況,試著推論『汪文摘謬』的著成年代。總之,本文試著證明≪汪文摘謬≫的寫作만於≪原詩≫,以此說明『汪文摘謬』是一部繼于『原詩』的葉燮對汪琬的批評著作,因而其中的文學批評觀點,不能因爲其中夾雜著意氣之爭的成빈而貶低價値。

어문학부(語文學部) : "三言二拍" 中刻畵的敎書先生形象

함은선 ( Eun Sun Ham )
한국중국학회|중국학보  74권 0호, 2015 pp. 169-183 ( 총 15 pages)
5,500
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As the classical literature works, “Three Volumes of Words and Two Volumes of Slapping” described various images, including the image of teachers that reflected the education situation in Song and Ming dynasties. The research in this article shows the background of the teachers in “Three Volumes of Words and Two Volumes of Slapping” have very close relation with the imperial competitive examination. The teachers no matter in the official schools or in private schools were teaching pupils to read the scriptures and to write article, with the purpose to train the pupils to participate the imperial competitive examination. So the education at the time was filled with the color of the imperial competitive examination. At the same time, since the low political position and economic income, the teachers’ social statues were also in lower level. This situation caused the teachers not only very poor but also difficult to get the marriage.

어문학부(語文學部) : 法理與情理的思辨 -以中韓公案小說的結局爲中心

오효려 ( Xiao Li Wu )
한국중국학회|중국학보  74권 0호, 2015 pp. 185-204 ( 총 20 pages)
6,000
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Lawsuit fiction mainly describes the process of committing crimes and settling lawsuits in the court cases. Thus the judge is the spirit of lawsuit fiction. Judges often encountered problems about law and reason in the process of settling a lawsuit. It is difficult to achieve a balance between law and reason, and therefore the fusion between them directly affects the endings of lawsuit fiction. Taking lawsuit fiction anthology of Ming Dynasty and the lawsuit in San Yan Er Pai (三言二拍) as the case, this paper mainly explores the role of principles of law and reason in judging the case, and the effect on the endings of Lawsuit fiction. On the other hand, Law of Ming Dynasty (大明律) was introduced into Korea around the 14th Century, which had a great influence on the Korean judge and Korean lawsuit fiction. The Korean judges referenced Law of Ming Dynasty (大明律) in the process of settling lawsuits. This paper also compares the differences between Chinese and Korean Lawsuit Fiction, particularly the role of principles of law and reason.

중국의 한국드라마 연구와 수용 -"별에서 온 그대" 관련 중국학술논문 내용분석

강필임 , 이귀옥 , 손승혜
한국중국학회|중국학보  74권 0호, 2015 pp. 205-227 ( 총 23 pages)
6,300
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本文以2014年在中國所發表的有關``來自星星的니``(以下``星星``)的學術性論文爲硏究對象,分析作爲韓流接受國中國如何受容``星星``,如何接納新韓流和新韓劇。硏究``星星``的論文,其內容可分爲硏究``星星``的內容、硏究``星星``的制作環境、硏究``星星``的銷수方式等。硏究``星星``內容,他們所分析出的``星星``的熱播原因有,흔成功地融合靑春偶像劇、科幻、穿越、歷史劇等多方面的類型,而且其融合也非常自然非常現實,서事上運用陌生化方式來添加了創意性。不僅如此,人物形象都具有現實性和理想性兩面來使得收視者滿足,成功地運用傳統文化和現代都市文化來調和文化的普遍性和特殊性,也充分發揮大衆需要和大衆情感等。硏究``星星``的制作環境,硏究視角主要是針對於韓中兩國制作環境的差異,編劇方面,韓國編劇主管寫作內容和挑選演員等,編劇還高度理解收視者的心理和需求,因此能將타積極反映於劇本寫作。韓國電視劇制作方面還有講究藝術性的制作觀念、商業性運用方式、拍攝時特別講究精美的視覺藝術效果等制作文化特征。硏究``星星``的銷수方式,他們硏究主要是針對新媒體時代的銷수方式、如何用領先意見者和微信微博等來進行銷수等,也對粉都文化進行硏究他們在網上的文化消費特征。總之,中國硏究者集中分析韓中兩國電視劇制作上的個個不同點,也堅持認眞學習態度。我們要爲未來韓流持續發展樹立長期計劃和有效戰略。
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