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논문검색은 역시 페이퍼서치

일본연구검색

Journal of Japanese Studies (JAST)


  • - 주제 : 어문학분야 > 일어일문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1225-6277
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 72권 0호 (2017)

쇼와유신과 니치렌슈 - 1930년대 일본의 정념·궐기·좌절의 사상사적 배경 -

노병호 ( Row Byoung-ho )
6,900
초록보기
In this paper, I want to review the Showaisin`s contents and methods in relation with Nichirensyu(日蓮宗) in Japan of the1930s. Preceding researches take a unilinear position that Syowaisin had been influenced by Nichirensyu. But in this paper I examine whether every doers of the 1930s have separate colors about Showaisin and Nichirensyu, or not. That is to say, I hope to keep off the monotonous view(such as Nichirensyu=patriotism). My conclusion is as in the following. Showaisin had not been able to come into being without knowledge and across knowledge. Therefore Nichirensyu had been necessary to the 1930s.
6,800
초록보기
Japanese youth as a topic of discourse intensified extensively after Japan`s bubble economy burst in the 1990s. This discourse, however, often lacked clear distinctions between the young generation`s “problems” and that of its “adaptation.” Previous research emphasizes either “youth deviation” or on a “standard life course model” particular to Japan. In this study, I focus on the latter. In particular, I conduct a generational-based comparative analysis of the life course of Japan`s youth, spanning from 1945 and with a particular focus on changes in employment environment and family structure. I found that in many cases the research was premised on generalized pretexts or framed the youth as primarily detached from the model modern family. Though the standard (or assumedly self-evident) life course has played an essential role in the production of modern Japan`s family structure considerable focus has been excessively placed on how youth detract from the ideal family frame as opposed to the roles they play in creating it. The so-called “Japanese-style modern family,” which ideally amounts to certain delineations pertaining to gender-based divisions of labor and a two-parent-two-child structure has become the standard life course model-both in discourse and in institutional support mechanisms-and reveals a gender asymmetry in that the focus of studies has been on the young generations deteriorating working conditions as opposed pinpointing the specific additional pressures placed on women within these problematic times. In sum, Japan`s modern family discourse should be used to understand its policy-orientating and normalizing effects on life course patterns in postwar Japanese society.

구로사와 아키라(黑澤明)의 영화 『꿈』(1990)에 그려진 삶과 죽음

조은애 ( Cho Eun-ae )
6,100
초록보기
It`s composed of Akira Kurosawa`s “dream” by an episode of 8. “Dream” was called director`s will. Because they`re director`s autobiography and a work for the old director. In particular, `Akahuzi` was watched again for `Eastern Japan great earthquake in 2011` and a nuclear accident. There is only a thesis about each episode for a movie “dream” up to now. And a subject about the whole movie isn`t learned about. This thesis is consideration about a view of life and death of “dream”. The meaning of each episode was analyzed in the theme of nature and `life` of a symbol of `death` and natural regression by human relation and break mainly. An episode from 1 to 3 drew the state of the man who forgot the nature symbolized by `kitune. peach and snow fairy`. Nature and the existence with which you can sympathize were KUROSAWA only, and experience of KUROSAWA was drawn. An episode from 4 to 7 drew self-murder and a human collapse by radioactivity and war as `death` from a feud with nature. But a director proposes life and death of natural by the 8th episode. I thought the work trying relief and prayer by the thing even the people who have achieved unfortunate death take in the nature again.

오카모토 다로(岡本太郎)의 일본전통론과 한국의 미

강소영 ( Kang So-young )
6,200
초록보기
After the war in the 1950s and 60s Japan sought ways to create a new tradition of Japan that can overcome modernity centered in Western Europe, in the relationship with the West. As one of them, the distant past Jomon pottery with a strong primitive life force was summoned as a Japanese tradition that is not polluted by imperialism and nationalism. Taro Okamoto reconstructed the original tradition of Japan by evoking the primitive life force of Jomon pottery by the intuition of the creator. His artistic intuition will lead to `discovery` of Korean art asymmetry and flow beauty through Korea travel in 1964. His intuition to expand the tradition of Japan comes to recite "Korea seems to have gone to his home more than anywhere in Japan". Taro beyond the framework of a modern state called Japan, re-creating tradition from a global perspective with the "discovery" of freedom of vitality in Korean art as a trigger, and Furthermore, it can be said that Korea beauty was used as the driving force of his artistic sense.
6,100
초록보기
본고에서는 계량문헌학적인 방법에 기초하여, 상대비율의 개념을 도입한 새로운 연구방법을 시도하였다. 그리고 그 성과를 정리하자면 다음과 같다. 우선, 복수작가설의 검증에 이 방법이 보조수단으로서 이용될 수 있음을 확인하였다. 구체적으로는 사이카쿠(西鶴) 유고집인 『사이카무 오리도메(西鶴織留)』에 있어서의 웃음과 화의 상대비율(3.40)이 사이카쿠의 초기작인 『고쇼쿠 고닌온나(好色五人女)』(3.33:1)및 『고쇼쿠 이치다이온나(好色一代女)』(3.20:1)와 별 차이가 없다는 점에서 유고 집에 제자가 손을 댔을 가능성이 없다는 선행연구 주장을 보강할 수 있었다. 다음으로, 나라별 상대비율의 비교를 통하여, 종래의 계량문헌학적 방법만으로는 알 수 없었던 작가 및 작품마다의 양적 특징을 수치화 할 수 있었다. 그리고 이를 통해, 작가 개인이 처한 환경과 개개인의 기호가 작품에 있어서의 웃음과 화의 상대비율에 영향을 줬을 가능성이 높다는 사실을 알 수 있었다. 또한, 사이카쿠와 무라사키시키부(紫式部)의 작품에 웃음이 풍부하다는 것은 잘 알려진 사실이지만, 다메나가 슌스이(爲永春水)의 작품에 있어서도 화에 비해 웃음의 상대비율이 높다는 사실을 알게 되었다. 또, 같은 수필작품이라 해도 세이쇼나곤(淸少納言)의 작품과 겐코법사(兼好法師)의 작품사이에는 현격한 상대비율의 질적인 차가 존재한다는 사실을 알게 되었다. 그리고 이는 새로운 연구방법이 아니면 알 수 없는 사실이다. 한편, 한국고전의 경우, 웃음에 대한 높은 관심을 보였던 서거정(徐居正)의 개인문집의 상대비율이 한국고전문집치고는 상당히 높다는 사실을 알 수 있었다. 또한, 사춘기에 어머니를 잃은 율곡, 18년간의 유배생활을 보낸 정 약용, 그리고 7년간의 임진왜란 기간 중 분노와 복수심으로 전쟁을 수행했던 이순신 장군의 문집에서 상대적으로 낮은 상대비 율이 나타나는 이유로서, 작가 개개인이 처한 환경과 개인적인 기호가 작용했음을 유추할 수 있었다.
6,500
초록보기
The important purpose of this study is that finds a system of pollution incident such as `Ashio copper mine pollution incident` and `Chisso Minamata disease incident`. Also I hope to find a system of literature of pollution incident which were described about pollution incident in Japan. Next on I`ll try to figure out a value of literature of pollution incident, according to investigate situation of revived publication of the literary works. As a result I could figure out three elements that is included in a system of pollution incident. First, pollution incident is happened by `national policy industry and business-politics collusion`. Second, the pollution incident caused widespread campaigns against pollution and movement of compensatory damages. Lastly, almost of victim of pollution incident are poor farming and fishing population. And as a result that I examine the literary works what is written about pollution incident, I could figure out that a system of literature pollution incident is composed three elements. First, literary works about pollution incident almost are written by social cognition of writer. Second, literary works almost are written on the basis of facture record or data, and interview or writer`s experience. Lastly, literary works about pollution incident usually are written about pain and Han(grudge) of victim, and fact of pollution incident`s history.

아리요시 사와코(有吉佐和子) 『복합오염(複合汚染)』의 형식적 변이

김성은 ( Kim Sung-eun )
5,800
초록보기
"Complex pollution" of Sawako Ariyoshi is called as a masterpiece novel of social conscience novel. But when it was serialized, there were severe criticism that it is an odd writing and just a report on the environment. In this article, I tried to understand what kind of elements were applied for a preposterous writing to be a true novel. As a research criterion, we divide it into non-fiction and fictional elements and examine them as objectively as possible and examined the intention and effect of the writer in terms of form destruction novel. This work adopts the explanation notes which are not normally used in the general novel, and also the jargons which come out in the scientific journals are rampant and the information which is not known to the reader is conveyed as objectively as possible to the utmost, and the data in which many charts and numerical data are appeared. Because of the peculiarity of these novels, some readers called this work the deformed novel and did not accept them as fiction, but I could feel that the writer wanted readers to be able to grasp the intention of this work. Through this research process, it is recognized that "complex pollution" promotes the environmental consciousness to the public. It is environmental literature and record novel. It is an enlightenment novel in that it has touched the seriousness of environmental problems in all countries suffering from the side effects of industrialization. This work flexibly reflects the three elements of the novel: the theme, composition, and style in that the artist has a main idea, a composition based on deconstructionism, and a style that perfectly fills the intention of the descriptor. The peculiar way of writers, which is close to the artist `s integration, was recognized as a future - oriented fusion of writing, unlike the interpretation of novel destruction at the time of the presentation.

『계간 삼천리』연구 - 「우키시마마루호 폭침」기사를 중심으로 -

김용안 ( Kim Yong-an )
6,300
초록보기
The article on the “Ukishima malu accident” in “Gyegan Samcheonri” coldly testifies the reason for the existence of a nation and how serious crimes the evil deeds are happening under the name of the political compromise in the history and how big the wounds overlooked in the process are. In this context, the meaning of this article is significant. Firstly, it speaks out its thoughts about the pity of the accident being forgotten and urges the substantial approach to and making a big issue of the accident. It expresses the frustration of the documentary journalist who has to give up in front of the giant power connected with the authority in the process and, at the same time, asks the role of the nation. Secondly, a Japanese PD of a public broadcasting company calmly accuses us of our negligence and collective oblivion. Thirdly, it asks the existence of a nation from a fundamental perspective. In the article, a nation is accused of its irresponsibility for not questioning a cause or a responsibility even if hundreds of people were brought to a battlefield only to be ended up in the ocean like trash. Fourthly, this article excavated the buried history and printed it out to see it any time. The historical fact cannot be deleted artificially but it is like it doesn`t exist it is left out in the indifference. History, moreover, doesn`t die or extinct and there is no expiration. It also emphasizes that the history of evil must by followed by the history of conviction to punish it. Taking this article as an opportunity, I hope that the history of their crimes, that is our history humiliation could be entirely dug up and bear fruit as a big white paper in the end. In that aspect, I wish that this article will not a termination but a new start.

일본 고전 산문 작품에 나타난 신라의 형상 - 문학으로 본 역사 -

김효숙 ( Kim Hyo-sook )
5,900
초록보기
The stories of Goguryeo(高句麗), Baekje(百濟) and Silla(新羅) are often found in Nihon-shiki(日本書紀), the oldest history book in Japan. These three kingdoms are mainly described as vassal states that sent tributes to Japan. Of the three, Silla was considered inferior to Goguryeo and Baekje in terms of its power and the level of development of civilisation. As a result of historical materials like Nihon-shiki, many Japanese historians believe that Silla was effectively a vassal state of Japan. However, contrary to such historical materials, in classic works of Japanese literature, Silla has been described in a more generous fashion. For example, there are many references to goods sent to Japan from Silla being highly prized. How can the differences between descriptions found in historical materials and classic works of literature be reconciled This paper challenges the notion that historical records are always the `truth` and literature is always `fiction`. It focuses on the examination of the descriptions about Silla written in historical materials and classic works of literature, and highlights the relationship between history and literature.

일본고전문학에 나타난 거북이의 양상 - 우라시마(浦島)전설을 중심으로 -

류정선 ( Ryu Jung-sun )
6,400
초록보기
Among Japanese people, turtles began to be prominently featured in the Legend of Urashima. The main theme of the ancient legend is the tale of intermarriage between a human and a nonhuman creature in which the protagonist Urashimako marries a turtle-turned-woman. However, starting with Urashimatarou in Otogizousi of the Muromachi Era, the focus of the turtle story was placed on the saving and release of a turtle and its compensation for the mercy. After the medieval era, the Legend of Urashima took the form of a turtle`s compensation for mercy due to the influence of Buddhism, which can be found in Nihonryoiki and Konzyaku-monogatarisyuu. Therefore, the integration of the story of a turtle`s compensation for mercy and the Legend of Urashima led to the creation of a new legend of Urashima, that is, Urashimatarou in Otogizousi. In addition, after the latter half of the early modern period (the Edo Era), the turtle featured in the Legend of Urashima served also as a channel to the marine utopia by taking Urashimatarou to the underwater palace of the marine king. This pattern can be traced to the myth of Umisachi·Yamasachi, the prototype of the Legend of Urashima, and the myth of Emperor Kanmu`s occupation of the eastern region. In the conclusion of Urashimatarou in Otogizousi, Urashimatarou, reincarnated as a crane, and the turtle “had fun together (asobi-tawamure).” This expression derives from the idea of Taoist hermits and symbolizes permanency and longevity, and in Waka it serves as a celebration.
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