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논문검색은 역시 페이퍼서치

한국문학이론과 비평검색

Korean literary theory and criticism (KLTC)


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-3501
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 11권 0호 (2001)

편집인의 말

정덕준
1,000
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서정주 시의 ‘꽃’ 이미지에 나타난 제의성 고찰

유혜숙 ( Yu Hye Suk )
5,900
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Seo Jeongju(Midang) had constantly pursued “the poetics of aliveness” from his early stage of writing. His aspiration of ‘aliveness’ is related to ‘sacredness,. Because ‘sacredness’ means here the pursuit of ‘aliveness, that intermediates between hostile and contradictory things such as ‘death and life’. Midang’s poetry showed sacred images again and again expecially in his poetic depictions of the ‘flower’. There are three types of sacred images in his depictions of the ‘flower’. First one is "sacredness of eroticism”,second one is "redemptive sacredness”,and the last one is “sacredness of intermediation.” G. Bataille regarded eroticism as sacredness. Because he identified man's inner violence to women with human’s external violence to the sacrificial offerings : both are just alike in reaching into union and eternality. In the first chapter, “Flower of an erotic sacredness’’,I considered the erotic ecstasy caused by eating 'Hotsue1 (narcotic flower). In this poem, eating ‘Hotsue’ symbolizes the sexual intercourse. By experiencing such a erotic ecstasy, the limited being,poetic narrator, meets with the Unlimitedly open world’. Such a ecstasy of crossroad’ in which the limited and the unlimited intersect, let him intermediate between ‘death and new life'. In the second chapter, “Flower of redemptive sacredness”’ I considered a reversal from 'filthy to purity’,and from ‘pain to peace’ that take place in ‘orchid’ and ‘wild flower'. Such a reversal symbolizes sacrificial performance represented as ‘sins to redemption1. In the third chapter,"Flower of spiritual intermediation.” I examined the sacred function of flower ‘forsytia, and ‘royal azalea’ that intermediate spiritually between 'this world and the other world’. In conclusion, the sacredness of ‘flower’ represents Midang himself, his anima. And such sacred image in his ‘flower’ have two major factors. The one is the intermediate beings who has influenced him for pursuit of eternity, and the other one is his lifelong love for human beings and things. Because only love’ can intermediate between hostile and contradictory things, “love” is “aliveness” itself.

서정주의 사랑시편과 에로티즘

이형권 ( Lee Hyeong Kun )
6,300
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Seo Jeong-ju is a poet who created love poems throughout all his life. Most of all, the reason that he maintained a strong love for poetry in his mind through his life is that he had strong libido. Besides his inborn nature, the social conditions of Seo Jeong-ju’s time is one of the reasons that made him indulge in erotic poems. Seo Jeong-ju, a poet, felt a sense of futility and emptiness toward life under Japanese colonialism in his youth and as a result of tough situations after independence in his manhood. He was absorbed in erotic poems as a means to deviate from those conditions. Eroticism in Seo Jeong-ju's love poems has three characteristics as follows. First, his eroticism is sensual and physical epitumia as a primitive vitality. This characteristic appeared in his early poems and it broke fresh ground for sensual and concrete love poem in Korean modem poetry. Second, his eroticism is a will to make progress to the world of soul and life above reality. The medium of this eroticism is a lyric world of Shilla spirit(Buddhism) and folklore. Third, his eroticism is a light game or trifling episode in everyday life. The author thinks chat erotic poems with those tendencies regardless of the specific times should be criticized mostly.

미당 서정주 시의 신화성

허윤희 ( Heo Yuhn Hoi )
6,500
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This thesis attempts to study on Seo Cheong-Ju's poetry concernimg about mythical charactor. Seo Cheong-Ju is a most representative poet in korean modern poetry’s history, who has published poetical works of 15 volumes since publishing Whasagip in 1941. Although article about he’s poetry is so many as like oher outstanding poet, Kim So-Wall, Cheong Chi-Yong, but poet’s attitude has been criticized for literature study. If we would find a he’s poetry and charactor, it will be a mythical charactor. Rene Wellck and Austin Warren, in the Theory of Literature, said that myth is narrative, story, as against dialectical discourse, exposition. So I Think about mythical charactor in poetry is indicate to naturalism in literature. Seo Cheong-Ju has called for he’s poetic vision to apporoach of ‘Life’ or ‘Human being’ by himself. I would devide two point or charactor, one is two axis of life and death, another is symbolic of world(conscious of reality). It’s meaninful to poetic process, and essentially of he’s poetic charactor. These point to take up mythical thinking and to insight self- identity for poetic express.

미당 『학』의 원융주의(圓融主義) 시학적 해석

김진국 ( Kim Jin Kook )
5,900
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The aim of this article is to interpretate Midang’ poem through the Interfusionalism. The interfusionalism is a new poetics that I renovate the oriental traditional poetics. This poetics is an contentcentrism. Some of the oriental traditional critics thought the most important thing is poet’s enlightenment. This enlightenment is the Tao of the Taoism and the Zen Buddhism. So they thought that in the poetry there must be the Tao that the poet experience concretely. The experience of the Tao is the intuition of the world and the self. This kind of the poetry is evaluated as the best and highest poetry by the critics. The intuition of the world and the self is the interfusion of the world and the self. The concrete experience of the Tao is the union of the world and the self. In poetry this experience is expressed through the interfusion of the nature and the feeling. The poem's image is the expression of this interfusion by language. I named this principle of the interfusion as the Interfusionalism. There are three ways of making pomes. The first way is ‘first sight and then feeling’. The second way is ‘first feeling and then sight’. The third way is ‘interfusion of sight and feeling’. One of Midang's famous poem, < The Crane > revels the poetic of the Interfusionalism. The lyrical I of this poem depicts a crane that is flying the sky freely. This image of flying crane expresses poet’s emotion and thought of death. This poem was created by the principle of the Interfusionalim. Midang’s point of view is that life and death is one. So the state of mind of the crane which flies to death is tranquility and peaceful. The crane transcends the opposition between life and death. So Midang's thought of life is that ‘all is one’.

이해조의 「자유종」에 나타나는 교육구국론의 의미와 한계

최성윤 ( Choi Sung-yun )
6,400
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This study has the critic interpretation on < Jayujong > and Lee, Haecho's controversy over the national salvation by education. In the second chapter, I studied on Lee, Haecho’s thought and lifetime. Lee, Haecho who was of noble blood devoted his younger years in educational works, he wanted the modem independent nation founded on educated people. In his opinion, it was necessary to educate people in order to save nation from the urgent situation. In the third chapter, analysing 4 speakers in < Jayujong >, I studied the form of debate. Although they agree upon a save-the-nation movement by education, their views of the period are divided according to tones. Sulhun who has moderate character is very emphatic about the necessity of practice. On the other hands, Maekyung who take a dark view of their period assumes critical attitude toward negative situations. This conflict between Sulhun and Maekyung shows that Lee, Haecho was already skeptical about his idea, the national salvation by education in those days.
5,500
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This study was purposed to clarify the internal logics of Lee Gwang Soo’s literary theory that the literature for gratifying emotion (Korean say it, jung情)changed the literature for moral through analyzing Lee’s consciousness of enlightenment. Lee Gwang Soo stressed the role of emotion required the new literature different tradtional literature for gratifying emotion in his critics and essays. But he deconstructed the feudal convention for human's emotion wanted strongly to construct the new world by only human’s emotion that he stressed. So he limited the new literature to only functioning for spreading proper ‘moralism’, sympathy(Korean say it, dongjung同情).

『삼대』의 근대성 연구

김구중 ( Kim Ku-jung )
7,300
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Yeom Sang-Sup described his own experiences as ones of the times through the scenery and the conventions in Samdae and tried to present us the imagery and the conventions which had something to do with human ethical aspects and social correlations. This attitude reminds us of his self-awareness as a maral value so to understand what he had experienced. One of the considerable messages in Yeom’s works, the self- consciousness seems to be self-denial to restore individuality who wants to modernize his world. The denial in Samdae comes out of his criticism-he takes a bitter critical stance on the matter-the boundary of heritage, in a sense, something speakable or unspeakable, and value-collapse, and the duplicity in social-enlightenment as an alternative. Hence, Samdae is a narrative which represents its characters' language and moral consciousness being revealed through the differences of their individual voices. What is more, Samdae portrays Japanese black-hearted power buried in outer society as a reality, the wicked conjunction of the learned and the power, and writer’s criticism on its tied up relation of the learned and the power with his many-sided verbal picture. Upon morality, he discoursed liberty coming out in future with the standard of Hangul alphabet revealing the distinctive feature of language. The language, Yeom used in Samdae, is not only one depict its characters ambitions but also new age’s.

김유정의 소설 「소낙비」와 「안해」 연구

장소진 ( Jang So-jin )
6,400
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Kim-Yujeong’s Shower〈소낙비〉,Wife〈안해〉picture a morally corrupted husband and a passive wife. Especially he is dependent on his wife by casting away his responsibility as a head of a family, while she stresses her subordinate traits by going after closely his moral corruption. Husbands in these short stories do violence to their wives depending on false authority or phallic perspective. They earn a living by prostitution or conceive only their wives as means of livelihood. Their attitudes stand for a corruption of patriarchy. Meanwhile wives also represent problematic aspects along with their husbands. They doesn’t struggle against their impersonal treats. On the contrary, Women in Kim-Yujeong’s short stories agree to husbands’ immoral attitudes by yielding to temptation of desire for money and property, or ally themselves with husbands’ phallocentric perspective. Their passive response to husbands' immorality, more emphases on their subordinate condition. Such a subordinate attitudes do not allow us to criticise only the patriarchy. Therefore, their dependent aspects suggest necessity of the reflective critique against self- consciousness of women themselves.

황순원 소설에 나타난 설화수용 양상과 그 의미

안남일 ( An Nam-il )
5,900
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This study aims at looking around the relative on novel of Hwang Soon- Won and tale. We can know that the analyzed novels are followed by contents of each tale basically and change existing tale by showing a writer’s originality. The material of〈Scale비늘〉was the modern daily matter. But the development of a matter is suggested by telling a similar tale and < lost People잃어버린 사람들 > also shows similar aspects to that of 〈Scale비늘>. Only tale in〈Scale비늘〉was quoted for the development of a general matter but tale in
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