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논문검색은 역시 페이퍼서치

한국문학이론과 비평검색

Korean literary theory and criticism (KLTC)


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-3501
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 15권 0호 (2002)

편집인의 말

정덕준
1,000
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김소월 시의 문학사적 위상 -소외된 타자에서 현실 인식의 주체로

엄성원 ( Um Sung-won )
6,600
초록보기
This essay intends to examine the modern characteristics about So Wol, Kim's .poems in the Korean literary history. Through this 'study, I will illustrate how the poetic subjects of his poems are changing depend on diachronic perspective. By clarifying the mode of diachronic change, I will look into the continuity and variation in his poems. This study tries to examine the poetry, being based on the concept of 'double-sided intention’ which contains two different aspects. The 'internal intention’ ㆍ 'external intention’ and ‘conventional intention’ ㆍ ‘foreign intention’ as a main topic in this study are the key concept to understand the 1920;s poetry which were presented in various styles. So-Wol, Kim's poems first have internal intention’ and ‘conventional intention’. But after middle of 1920's it is said that his poems were composed on the basis of the ‘external intention.' He was hoping for organizing integration between the subject and the object in literature, but he realize that it is impossible. So he is seeking for the reality as like ‘clothes’, *house', 'food', 1 money5 instead of ‘Nim(a sweetheart)/ However he still has pessimistic vision and tragic mind, there is deep sorrow in his poems.

김소월의 문학 체험과 시적 영향

심선옥 ( Shim Seon-ok )
7,000
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This paper aims to inquire into the varied aspects of Kim So-Wol's literary experiences and explain how such literary experiences influenced his poetic consciousness and writing methods. Turgenev's literary world had great influence on So-Wol’s consciousness and life, and especially played an important role on the formation of So-Wol’s poetic emotion ‘Sweet Sorrow5 shown in his early poems. Tagore’s influence on So-Wol can also be found in the formation of the poetic emotion and the feminine style underlying So-Wol’s poems, Symbolists’ works don’t seem to strongly affect So-Wol but the touch of Yeats, Arthur Symons and Verlaine can be found here and there in So- Wol's poetic works. Their influence was made at secondhand through Kim Uk’s translation of symbolists’ poems. On the other hand, So-Wol put some of Chinese poems into Korean, through which he gave strong expression to his national consciousness. Thus, So-Wol’s literary experiences above-mentioned helped to build up his modern poetic consciousness and create his own poetic forms.

김소월 시의 시간의식

곽봉재 ( Kwak Bong-jae )
6,000
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The Poetry of Kim So-wol is mainly about the sentiment of the ineluctable separation. Five poems in the ‘solitude’ section of Jindallaekkot(azalea) set the separation by death forth as a premise. The life resolves itself into the death, accordingly the meaning of being is dissipated. Poems in the ‘solitude’ seek the communication between souls. It rather means speaker’s strong will for the mutual understanding between past and present which is impossible at present. 'Later days’ shows that this will is relevant to persona’s morals. The repeated remembrance and reinterpretation of the past is found as a trial to hold the fading meaning of a love and me. Therefore, poetry of So-wol is identified as writing of whom realizes that the time and the worth of present dissolve those of past. Moreover, So-wol tried to restore the timeness of circulation in order to resist against the timeness of passage which consumes everything. The past is repeatedly remembered and reinterpreted by persona. The confrontation between diachronic and circulatory time is brought to light from this process. In other words, the time representation of So-wol’s poetry is identified as the logic of cyclical time standing against that of rectilinear time. The speaker of his poetry is conscious that he can not exist as the result occurred in succession of the past.

은유로 나타난 김소월의 시 세계

김옥순 ( Kim Ok-soon )
7,700
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This is a paper for Metaphoric Analytics of Kim, So-wol’s Poems. Metaphoric approach for Kim's poems are with the tool of diaphora theory of Philip Wheelwright and comparison theory of Max Black in West; and a tool of sang-seng-gyo-yung(情景交融, melting each other with a feeling and a scene) and jeong-gyeong-sang-saeng(情景相生, win win with a feeling and a scene) in ancient Chinese Poetry. Kim, So-Wol thoughts he exposed from Metaphor are 1) metaphor of times, 2) metaphor of loves, 3) metaphor of rebirth, first, The metaphor of times are expressed by flowing water of historical idea that once flown water can not return, second, the mataphor of loves are expressed by irresistible moon’s temptation with which the lights of moon are falling on the paper-door; a bird who is searching lover at his peculiar house at dawn until night; a bird as a betrayed lover who is trying to get out of the deep in the mountain in which his lover lives, third, The metaphor of rebirth are golden turf in a fire as comeing spring which revived at his lover's tumb as to revive his died lover; maternal mountain is a rebirth place in which flowers are in blooming and falling with singing birds continually likewise man and woman are living through the life of their children's life in every generation. After all, the metaphor of time indicates us the idea of history with “time flow away like a riven” and “time always return as a .season."

생의 한계와 죽음에의 투사 -김소월 시의 물 이미지 분석

이인영 ( Lee In-young )
6,200
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This article was written to review Kim So Wol’s awareness of poetry and the poetic limit in his poems through the analysis of water image shown in his poems. Kim So Wol shows his strong awareness of limit about life even from his poetic starting stage. This comes from human limit that they should live a mortal and temporary life, and this kind of a poet’s awareness of limit greatly helps us to understand the meaning of “Nim”(lover) and "Gohyang”(hometown), which are the core of Kim So Wol’s poems. Even if “Nim”(lover) and “Gohyang''(hometown) are the only path to Kim So Wol. by which he can identify life’s substantial value, it is impossible to acquire life's value since these lie in an absolutely absent state. However, the thing that we can’t overlook is that not only Kim So Wol’s “Nim”(lover) and “Gohyang’’(hometown) have the symbolic and complex meaning but also they are the vocabularies of which the extensive meaning can he infinitely extended. Therefore, we have to see these as the things that have root meaning, and his awareness of life’s limit, which he had shown from the early beginning times, makes it possible for us to grasp "Nim"(lover) and “Gohyang”(hometown) as the concept of substantial original form. In other words, these can be understood as the meaning of substantial and primitive life. If it is said that we need to .see “Nim”(lover) and ''Gohyang”(hometown) in Kim So Wol’s poems from the substantial context and we have to understand the poet’s intention as the aspiration for the substantial one, we can note the fact that this kind of a poet’s thinking is being formed, based on the water image. In the mythical meaning, water symbolizes original form. Water brings birth, and also means death and revival. Water is the storage place for every possible existences as origin and source, and it supports every creation. Like this, when considering water from the viewpoint of symbolic meaning, the poet’s intention can be called the intention for substantial life. In Kim So Wol’s poems, this kind of intention for substantial life is expressed through the mental image of “sea’. We can also identify this in 「Red Tick」,「Absentmindedness」and「Sea」. In these works, we can see the poet's admiration for life through strong, dynamic image, and this implies that sea is the very space of life and the space of generation. However, the "sea", which the poet really wanes to reach pathetically missing it, is the place where we can't reach ultimately, and it’s just a space in dream that can't be obtained. The tragedy in Kim So Wol’s poems originates from this, The aspiration for vital life, which Kim So Wol showed, begins to change into the aspiration for death, due to the absolute limit that can’t reach a sea. A.s the water image here is forming the notably downward image, it shows well the poet’s phase of awareness that is falling into death awareness. We can identify this in his works’ such as 「Owl」describing a cloudy sea, 「Hope」suggestively revealing the split between self and world, In the fall morning」showing the poet's dark inside through rain's falling image and「Loneliness on a journey l」describing the pouring rain that is considered as the march to death. Consequently, we can see that the water image shown in Kim So Wol’s poems is changing into the projection to death as his intention for life is frustrated.
6,200
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This thesis intends to make clear how the 'experience of Korean War in Park Wan Seo's autobiographical narrative is represented, Her autobiographic novel has the style of ‘testimony’ about Korean war, and has the characteristic of woman s narrative of survival. Even if the testimony speaks the fact, there are exclusion, revision, concealment because of the trauma or the present situation of the testimonial subject. That is, even if the autobiographic characteristics is prominent, there can he several commentaries as the literary works. Park Wan Seo narrates the intention and aim of her writing at several texts repeatedly, because she doesn't want that her and her family's war experiences cease to the private experience but have the public meaning. First, in the construction of memory, reports the process that two women,I and the wife of elder brother, struggle for the survival with the sensual description in detail. That is, the real aspect of ‘gendered war,’ the another field of life is described by various tastes and foods through woman' s viewpoint. This novel is both the narrative of survival and the novel of formation. After the death of elder brother, the latter part of novel, the narrative subject ‘I’ work at the PX, experience the confused capitalist society, and accomplish the moral maturity. Separating from the mother, T enter to the new world as an individual through the marriage. The separation and maturity of the narrative subject are represented with the corporeal language. The corporeal language like ‘flesh’ and ‘wailing’ is one of woman's self expression, and shows her painful separation and recovery effectively. The style of Park Wan Seo's novel is not the ‘confession’ but the [testimony'. So it posits the woman's private experience to the social, historical context. The narrative of 'gendered war’ and the dialectical process between survival and maturity show the possibility that our divided system can be overcome by gender politics.

글쓰기와 타자 -신경숙의 『외딴방』론

김영찬 ( Kim Young-chan )
6,100
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In her novel Oettanbang, Sin Gyoungsook tries to hold the excluded otherness in her sphere of writings by turning her close inner eyes on the open world. However, in the other side of her self-reflection, there is the repressed and excluded, which cut off thoroughness of her self-reflection itself. In Oettanbang, that is related with a question of the otherness. Sin Gyoungsook stages effort to overcome her trauma, its difficulties itself, and the interaction of both by representing her memories of the past. That is the performative discursive action for curing her past hurt connected with existence of the others, and for transforming it the motor of her other- oriented writing. But in Sin Gyoungsook、writing, finally the others are converged into the horizon of her imaginary identification over again. In Oettanbang, the existence of the others connected with her hurt and that hurt itself are subjugated to the horizon of self-consciousness, and then transformed into the moment of writing of ‘I’. That is to say, the others which called for by the other-oriented writing lose its own otherness as a something unfamiliar different from ‘I’, and become a component of self-consciousness. In outward writing which search for the io.st others, the repressed and excluded are the very other’s self-activitiness as an unfamiliarly different subject which exists beyond the horizon of experience and understanding of ‘I’ In that aspect, the writing of Oettanbang is the self-recurrent writing which dissolves the unfamiliar others into the horizon of the self- consciousness.

디지털시대의 환상문학에 관한 고찰

김재국 ( Kim Jae-gook )
6,100
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These days were called digital period. The cyberism is a culture art theory made by the digital period. The step of a literary man comes to be busy at the reason. They are assigned a room of the cyberspace and build their homepage. The literary wore of period is deing many change like this. Research about the Fantasy or the fantasy literature comes to be important. New realism is desired urgently in the digital period. A Fantasy literature have something to do with cyberism suitably. A Fantasy literature have an effect on the theory of literature co be the development is in a .state of flux. A Fantasy literature affect to the report of new reality. This is contributing to expending the horizon of Literature. New reality- disjoint boundary of cyber and reality. We prescribe reality and Fantasy to equal element of literature finally. We must pay attention to the illusion Fantasy or the fantasy literature of the digital period consequently. Because we should not he sunk we should not be sunk at the fix or fossili2ation of the reality Say it once more, fantasy literature is accomplishing a propitiation role greatly.

근대소설의 여가문화 형상화 고찰 -홍성원의 「주말여행」을 중심으로

김정하 ( Kim Jung-ha )
6,500
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The purpose of this treatise is to analyze the shape of leisure described in 1960’s Korean modern modem novel. First of all, the condition of modernity in 1960s may be explained, because the shape of society must be reflected directly in contemporary novels according to the theory in this trease. In the ages, the shape of modern society constructed by ourselves began to appear, however it was imitation of western modern society. So, at that time, there were very many social contradictions and conflicts as inhumanic convention, material-worship and over consuming, etc ······. In this short trease, the result to research Sung Won, Hong’s novel, 「주말여행(weekend journey)」reports the problem and contradiction of modern society is criticized with such irony and satire. The urban man’s leisure presents the imagery and the convention related with human ethical aspects and social correlations. Through the research we can know that individual person at that time wants to live as subject, or wants to restore one’s subjectivity. Such description reminds us character's awareness about material-worship, desire about sexuality and prayer about communal - relation, i.e. humanity. The value of leisure is not so trifling, because it is proof of change of society in modern times. Especially, the possibility whether modern person can get and maintain subjectivity is reflected in leisure described in novels.
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