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논문검색은 역시 페이퍼서치

한국문학이론과 비평검색

Korean literary theory and criticism (KLTC)


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-3501
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 28권 0호 (2005)

편집인의 말

장성수
4,500
키워드보기
초록보기

‘제망매가’ 거듭 읽기

김열규 ( Kim, Yol-kyu )
4,500
초록보기
“The Mournful song for the sister passed away” by the Buddhist monk, Wolmyong is the one of the most outstanding masterpiece among the Hyanga poems. The Hyangas, meaning the local song of the Silla dynasty are the collection of various kinds of genre including lyric, magic song and Buddhistic prayer and so on. The paper would like to re-appreciate and re-evaluate ‘The Mournful song’, and also to bring the work into the focus of quite new attentions of not only literary specialists but of the ordinary reader. The song was read by the poet himself on the occasion of the funeral for his own beloved younger sister who experienced the untimely death. At the beginning, the song is full of the mourning, but when it comes to close, the song turns into the conviction that the heartbreaking separation on this world is nothing but just the happy first step oriented into an entrance for the Buddha's world. And the mourning changes into the strong promise to meeting again with the sister passed away.

향가(鄕歌)의 함축미(含蓄美) 시고(試考)

양희철 ( Yang, Hee-cheol )
6,500
초록보기
The purpose of this essay is to study on the beauty of the implicative expression in Hyang-Ga. We did this work for the four works; Heonhwaga, Tosolga, Mojukjirangga, Anminga. The result of the argument follow as; 1. Each intentioned meaning is not the surface text's meaning but the deep text's meaning in the four works. 2. If the deep text's meaning expressed in the surface text's meaning, those meaning cause the difficult situation for the poetic speaker or hearer, or intended object in the four works. 3. The series of expressions(homonymy, polysemy, referential uncertainty, symbol, antonomasia etc) have relation to the ambiguity and the beauty of the implicative expression in the four works, but the series of expressions(generalized synecdoche and ellipsis etc) only have relation to the beauty of the implicative expression in the four works. As the results of the above argument, we have the conclusion that the beauty of the implicative expression is discovered in Hyang-Ga.
7,000
초록보기
Compared to the women in other periods, those of the Silla period seem to have lived more proactive lives in many ways. However, in the Samguk yusa and the Samguk sagi, both of which women's lives are partially described, we find the women and their activities are weakened and daunted in their significance. This article intends to illuminate this phenomena under the term "women's alienation," by which is meant "women should be so, but could not." On the basis of this definition, I will consider five aspects of alienation: objectification, marginalization, distortion, deletion, subordination. This article begins with grouping six hyang ga poems --Sodong yo, Honhwa ga, Choyong ga, Jemangmae ga, Wonwangsaeng ga, and Dochonsudaebi ga-- into two. The first three can be characterized as the alienation of three "beautiful women" by objectification and the last three as the alienation of three "good women" by marginalization. As for the former, it can be elaborated as the following: the three women's beauty is considered only to be an object of men's sexual desire, not a factor which constitutes the women's own identities. With respect to the latter we can explain as the following: the three women's religious establishments are degraded and put aside, whereby the women are marginalized. A close reading of the anecdotes reveal that Iryon, the compiler of the Samguk yusa, is involved in the process of the alienation. As a Buddhist monk, he had a conservative perspective on women's "Great Awakening"(大覺) to the extent that whereas he described the case of the three "beautiful women" objectively, he degraded the three "good women's establishments. Accordingly, we can conclude that in the former's case, the alienation was caused by the dominant group of the Silla society, that is, men of upper class, and in the latter's case it was caused by Iryon.
6,300
초록보기
This paper is written for showing that analyses about HYANGGAs are able to play the role of a short road to know the system of Old Korean language. Because HYANGGAs are the best sources of Old Korean language in quality and quantity. Above all, it is very important that the writing system of HYANGGA was HYANGCHAL, which was our proper way with borrowing meaning and sound of Chinese characters. In this paper I can find many facts of Old Korean language with detailed analyses of even only two HYANGGAs, < CHEOYONGGA > and < DOSOLGA > and inference many aspects of the system of Old Korean language through them. So we can see that in Old Korean language there are many resemblances to grammartical systems of Middle Korean or Modern Korean language, like tense, case marker system etc., but there are also many different aspects to those, like adnominal final ending '-이(i)' or object-inflectional prefinal ending '-오-(o)' etc..

호남 방언과 서사 문체 -사회언어학적 시론

장일구 ( Chang, Il-koo )
6,800
초록보기
The narrative dialect is not an element of actuality or locality but an essential element relative to the realization of the theme and narration. Especially the speaker’s socio-cultural backgrounds and politico-economic conditions may influence on the aspects of narrative dialect. In the cases of Jo, Jeongrae’s TaebaeksanmaeK(Taebaek Mountains) or Choi, Myeonghee's Honbul (Soul Light), Honam dialects are adopted as the key features of narrative strategies not as a simple device of actuality. The dialect expressions are related to the creations of character shapes and compose the thematic ideologies. Besides they constitute dynamic narrative-situations and make cultural discourses. Authors may use common language or standard language to compose a fictional narrative. But they have to choose dialect discourses in various situations. Diverse aspects of narrative dialects are the results of the implied-author’s language attitudes to dialect in some pragmatic conditions. Implied-author can control the dynamics in character featuring and narrative-situations. Style effects are produced in this narrative creative process. Han, Seungwon's Heuksando Haneul Gil (The Road-to-Heaven in Heuksan Islands) is an outstanding instance. Dialect representations could not be presented in the fictional context of conversation of the native dialect speakers. Actual author may not represent the actual conversation situation hut make up the fictional discourse condition. Some Lee, Cheongjun’s novels are the examples. Using the common language as narrative discourse, the author can help the reader's understanding of narrative. The narrative style, as it were, affects the dynamic reading mechanism. The phases of narrative dialects can be precisely interpreted in diversified reasoning of the stylistic affections of them. Socio-cultural and politico-economic conditions or pragmatic situations of speaker have to be analyzed for a dose inquiry into the dynamic essence of the narrative style.

백석 시의 에코페미니즘적 고찰

이혜원 ( Lee, Hye-won )
6,900
초록보기
Ecofeminism is a progressive theory that criticizes basically inequality and oppression occurring in most of relations including ruling and subordination, man and woman, human and nature and responds practically. This paper, study on Baek, Seok's Poetry through ecofeminism is written for clarifying the vitality of his poetry and checking desirable direction of consciousness that makes overcome the crisis of present days. The nature in Baek, Seok's Poetry is concrete and sensitive space of life. Moreover, like ecofeminism that lays stress on mutual understanding and cooperation between human beings as well as nature, his poetry shows actually the life of intimate blood families. Baek, Seok's Poetry is identical with ecofeminism in the aesthetic sense and method of expression. Like ecofeminism taking a serious view of the sense of body and spirituality that has been suppressed by reason centric thinking of modern ages, his poetry shows various sensitive images and the capability of feminine spirituality. The heart of a matter of Baek, Seok's Poetry is the spirit of benevolence and nonattachment. The poet shares the ruinous life of his ages, and speaks for serious pathos and emotion of pity. The attitude of nonattachment and spirit of benevolence inject his eminent moral decision. The poet Baek, Seok knew the fact that the colonial situation, the most serious matter of his age was due to the distinctive relations and found the recovery way of relations. His method is so peaceful and ideal that can not change the actual immediately; however it has the innovative alternative plan that is able to raise the basic change of consciousness.

‘황진이’ 담론의 형성 방식과 여성의 재현

우미영 ( Uoo, Mi-young )
6,700
초록보기
The descriptive records related to Hwangjini are very suspicious of being fabricated. Thus, the descriptive records on her will be the significant text for examining the method that a woman is formed as an "image" or a "symbol" and meaning in the man-oriented history. This paper examined how the "Hwangjini" discourse was formed on the basis of the descriptive records on Hwangjini from unofficial historical tales in the Joseon dynasty to 1930s from the female representation point of view. At first, how her story was deployed and the characteristics of peculiarity and rumor types as the source of retaliatory imagination were examined. The next issue was how her image finally converged into respectability was related to sexuality of women and the mores of the gentry in that day. Finally, this paper went over the patterns that Hwangjini was more ideally diverged into the cultural icon in the Joseon Dynasty before the Japanese imperialism, the seeker and enthusiastic and romantic incarnation of love in the modern age. As a result of examination, it was found that she lost the physical property and became the altruistic existence formed by men. Accordingly, it was concluded that the causes of Confucian tradition in the Joseon dynasty had still enforce its influence on controlling the sexuality of the modern women. Furthermore, this paper observed an aspect of description on women becoming altruistic by men.

이용악 시의 텍스트성

문호성 ( Mun, Ho Seong )
6,400
초록보기
The purpose of this paper is to explain the poetic effect gotten in the discourse area, which appears in the process on the basis of the light of text linguistics to the process which Lee Yong Ak’s poems are regarded as of utterance of text producers. As text linguistic analysis considers research target as open communications free from dosed sentence structure, that is, intention of text produce and mutual cognitive action between text, i.e. product, and text-accepters, i.e. readers, it may belong to generally critical method including not only micro structure of text itself but also macro structure beyond the text of participant in discourse. Therefore, text linguistics has the basic assumptions like writer intention in interpreting the text, structural character that text linguistics has, reader's inference, and information process. Lee Young Ak’s text model 'wandering’ is thought of as conflict space from the past hometown until now. In the conflict space exits the contrapositive world of 'self’ and 'another self. The model of the text world regared as negative cognition of the real world is matching with the expression of negative discourse aspect caused to create uneasiness and pain. Lee Yong Ak’s text world, which suggests concrete aspect of life surrounding poetic utterers based on understanding the real world through discourse attitude of adult utterers, can be caught in the dialogue texts through the settlement of poetic hearers as producer intention given under situational management. The text world ‘wandering’ Lee Yong Ak’s wants to construct is considered as the wandering space of community beyond individual. The technique like plan activation, situation check, and management is used in the construction of the wandering space. Accepters in negative cognition of space can realize the typical life to recover the conflict in the real world and the real shape in the contemporary period. As the implicative meaning that Lee Yong Ak’s text has, it is said that he develops the life of the colonial days as the process of conflict recovery.

서사물의 디지털콘텐츠화 전략 연구 -문화원형 개발 사례를 중심으로

정경운 ( Jeong, Kyung-woon )
6,200
초록보기
This paper investigates the developmental strategies required to turn literary narratives into digital contents and their potentiality for culture industries based on the established cases in the project of making the prototype of cultures digital contents. The investigation leads to the following statements: In order to make archetypal materials of narratives into the materials of the industry of culture contents, those materials should have user-friendly segmental units, and should not focus on end products. Segmentation and disjunction are the very strategy of narratives needed to satisfy these requirements. The episodes of their own narrative structures are made into a great narrative based on their temporal sequences, and then those episodes are selectively collected into a newly emerged narrative. In this case, strategies of paralleling independent episodes, connecting unit stories or archetypal episodes extracted from a great narrative, and producing indefinite episodes through hypertexts, are being used. Another developmental strategy is to make modern versions out ot traditional narratives. The strategy tries to remake a modern narrative out of the basic motifs of archetypal materials to secure the industrial popularity as well as the maintenance of tradition. The literary narratives developed on these strategies are not just confined to their own industrial values, but they can also create a series of values through window effect, such as animation, movie, game, character, and mobile.
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