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논문검색은 역시 페이퍼서치

한국문학이론과 비평검색

Korean literary theory and criticism (KLTC)


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-3501
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 39권 0호 (2008)

편집인의 말

송명희
1,000
키워드보기
초록보기

박두진 시에 나타난 운율의 미학

고형진 ( Hyung Jin Ko )
6,700
초록보기
Park Du Jin showed an unique form of poetry from the very beginning of his work. He divided stanza and the statement of each stanza was long as prose. Regardless of his prosaic form, his poem had a rhyme. He differs from other ‘Chung Rok Pa’ poets in this regard, and his form is very special as well as crucial in Korean poetry history. In this essay, you will be able to look into features of rhymes in his prosaic poetry. Park Du Jin used an echoic and mimetic word creatively, and also used various endings of words which are used in colloquialism. With the phoneme features of these ending words, he could make a fine sound effect. Also, he used repetition and enumeration to form a rhyme. Sun, wrtten by Park Du Jin in 1949, shows his deliberately polished art of rhyme most. He was influenced by Ji Yong's latter poetry. Especially, one can find a simmilar form of Park Du Jin's form of poetry in Jangsu mountain and Baekrokdam, Ji Yong's typical poems. Park Du Jin succeeded Ji Yong's prosanic art of poetry and by trying diverse rhyme he presented an original form of poetry in our poetry history.
6,500
초록보기
While the most of the existing study on Park Dujin was the his poetry text, I tried the study on his poetics that was the blind spot in study of the Park Dujin. His easy on poetry was the poetry text which was from Japanese colony period to the 1970s and his point of poetic view keeping in mind was closely expressed in his poetics. It was his unique realistic poetics and poetic ethics in which ‘modern poetry as a national poetry’ was to pursue and to complete esthetic achievement of ethical beauty blended poetical truth. It was not the critical mind on the practical participation in the low level but the practical participation in the hihg level, that was to aware clerly the inside adn outside of modern world and to purse together aesthetic value of artistically sublimated poetry. The thing Park Dujin emphasizes was to do poetic struggle against modern evil of modern wordl. It was to refine his realistic poetry mind that rescues the mankind not escaping from the reality of history and period. His these realistic poetics was the same connection with a critical position of a participation party in the 1960s and 70s. Moreover as the criticism of 4.19 generation erected mature participation, his realistic poetics played an important role to raise participation staying in the low level into the high level. In other words, while his realistic poetics had nothing to do with realistic awareness of so called participant literature in the 1960s and 70s, his critical position should not be regardedas breaking with critical position of a contemporary. Although being out of a literary mainstream of a realistic party in a contemporary, he had a clear difference with a critical position having nothing to do with reslity in the name of pure literature.

해방기 김기림의 시에 나타난 자의식

최명표 ( Choi Myoung-pyo )
6,400
초록보기
At the Era of Independence, Kim Gi-rim was endeavoring to reduce the gap between literature and reality in line with his literature theory. In time, his achievement was outstandingly different from that in the colonial period. He was active in establishing the foundation of ethnic literature associating with writers with totally different ideas, which reflects his decision before the national liberation to narrow the gap between his literature theory and reality, and to fulfill his responsibility as an intellectual in the historical background. His self-consciousness was exposed through his poems written at the time. The poems and behaviors Kim Gi-rim showed at the time of the national liberation were the result of his actively practicing of literature ideas. Seemingly, his acts are in conflict with the former views, but in fact, his interest in the people consistently maintained. In the time when political logic was prevalent, he devoted himself to establishing the foundation of ethnic literature in the ‘literature perspective,’ but his efforts ended in smoke due to the change in the political situation. During the Korean War, he was kidnapped to the north, which became a bad example in that political needs oppressed literature beliefs. More unfortunately, his modernism literature that had been reserved until the national liberation could not proceed in the full scale.
6,500
초록보기
The present study illuminated closely the textual characteristics of Korean poems written by Overseas Korean residents, and explained the internal mechanism with the object of revealing the nature of reconcilement inherent in Korean poetry created Korean residents in Japan. Korean poetry by Korean residents in Japan has the strong tendency of propagating and instigating the ideology of North Korea in the process of overlapping with the ideology of North Korean poetics, but its internal nature and utterance method have very strong popular characters, so in some sense it goes easily with ordinary South Korean people. This means that, deeper than the ideological base of socialism, there is a spiritual foundation common with South Korean people’s popular sentiment. In this sense, it is strongly required to pay attention to these poems in groping for Korea National Literature in the future.

생태학적 상상력과 현대시

강연호 ( Kang Yeon Ho )
6,500
초록보기
The purpose of this study is to consider a type of appearance of ecological imagination in the Korean modern ecological poetry. Ecological poetry has three types of appearance. The first, that is the stage to criticise on the crisis of ecological adaptation, the second is the stage to consider and change in ecosystem consciousness, and the last is the stage to search for harmonious sense toward ecological future. In ecosystem, all humans, plants and animals live in ecosystems, and all the parts of an ecosystem affect each other, whether they are living or non-living. That is the core consciousness of the deep ecology. In Korea, ecological poetry has contributed to the expansion the lyricism and awakening of ecological consciousness.

장석남 시의 은유와 환유 구조 연구

강소연 ( Kang So Yeon )
6,400
초록보기
Jang Seok-nam freed himself from the overly ideologic principle of the 1980s and settled as the representing new lyricism poet focusing on the practical use of rhetorics especially through imagination. The harmonical mind of uniting materials phenomenally apart is the characteristic of Jang's poems, which tries out the mixing of the sky and land, universe and ego through the associating process frequently crossing time and space, and forms a multi-level meaning system of metaphors through fantasy. Therefore, this thesis will take five poems that are commonly focused on the space of ‘courtyard’ and the material ‘tree,’ and analyzed them through the ‘Frames of References’ theory. This process confirmed that the method of metaphor and metonym is not simply a aesthetic equipment but operates as a principle that penetrates the intrinsic essence of literature. The speaker in the opem looks up at the sky by stretching his imagination in order to transcend the limited space of reality, but ultimately shows the ontological transition of becoming a subject of Jang's poetry is the result of reflecting the universal view and the moral awareness as a whole. It reflects the poet's urge of wanting to move toward transcendence while embracing reality, and aiming the heavens but wanting to hold on to the earth. Moving on from abstraction to substantialism, this is one of the conclusions of Jang's poetic journey. The form of love the poet shows here is harmonizing himself with another by dissolving his hardened self, and this incites the poet to write poetry that internalizes the reality of his daily life, and makes him deal with the obstinate reality. The vision of Jang Seok-nam's new-lyric poetry puts the source in the everyday reality that seemed like contradicting relations, is what keeps it apart from the traditional lyrical poets.

융희 연간 소설론의 '사실성' 인식 연구

박성호 ( Park Sung-ho )
6,100
초록보기
The purpose of this article is to recompose argument of reforming Korean premodern novels in Yung-Hui Period (The Period of Emperor Soon Jong reign). The main part of article is focused on the differences between Sinsosu(new novel) and Historical-Biography Novel in debates about the way to reform the Sosul(premodern novel). At that time, there are lots of opinions how to set up the novel which is fitted out corresponding the transition period in late 19th and early 20th. To arrange those discussions is one of the essential studies that make us understand of modern novel's composition in 1910s. There were two dispositions how to reform Sosul in Yung-Hui Period. One is the group of Sinsosul writers, aligning themselves with radical civilizers, who emphasized the matters of those days; The other is the group of Historical-Biography Novel writers, insisting the restoration of Kukbon(national spirit), who underlined historical heroes and their stories. They had been in common with criticizing unreality of Sosul and emphasizing the importance of reality in 'reformed Sosul' to cope with the situation of those days. But in the formula of 'reformed Sosul', there were confrontation between the former and the latter. In this article, we are to review the differences of debates of reforming Sosul between Sinsosul and Historical-Biography Novel writers, especially to focused on the noteworthy conflict about the problem of 'reality' which is essential in those debates. It is 'reality' that every disputant emphasized to materialize their opinions of reforming Sosul. Accordingly, to review what discussed in those opinions about 'reality' is the point in this article. By examine the points of common and difference in those opinions dealing with the problems of 'reality', it would be possible that acquire some references to understand the standpoint of evaluating worth of novel. Additionally, by taking a look at the political and ideological foundation of those disputat, it would be feasible to verify what made the differences of the standpoint of 'reality' in those debates.

천상병의 비평 연구

김세령 ( Kim Se-ryoung )
6,600
초록보기
The purpose of this thesis is to study the various critical recognition and practice in literary criticism of Sang-byung Chun and to turn out the achievement and limitation in view of literature history with attention to Sang-byung Chun as the professional critic. Sang-byung Chun's criticism started with the existent recognition and resistance of established generation which postwar generation had together and pointed toward modern literature's 'pure essence'. He showed self-consciousness of criticism and special critical point of view which emphasized universal validity and intelligence of criticism. These critical recognition as a poet-critic was practiced in consideration of korea literature's 'intelligence'·'lyricism' and the 'modern' 'east' writer. Though his critical activity was short period and sometimes showed limitations of abstract logic, Many achievements from His literary criticism in the 1950s have influence on those days criticism and should not be overlooked with the importance of literary history.
6,500
초록보기
This paper aims to look into aspects of repetition and transformation of original text in Park, Sang-ryeung' novel Simchung-i and Whang, Suk-yung's novel Simchung, the Road of Lotus which parodied the classic novel Simchung-Jeon. The above works, Simchung-i and Simchung, the Road of Lotus, show a common feature that created the narrative of salvation through sacrifice of a woman. But Simchung-i focused on the subject of human salvation. It especially searches into 'how does the salvation of woman come true?'. It comes to the conclusion that women need the process of spiritual awakening which erase from lots of sin committed as a mother, a wife, and a daughter. In a word, Simchung-i shows the peculiar aspect which transformed and recreated Simchung-Jeon. Simchung, the Road of Lotus fairly borrowed original motif of Simchung-Jeon. But Simchung-Jeon's fantastic story and ambiguous setting in space and time were transformed into a actual story which occurred in historical space and time. Also Simchung was newly characterized as a great woman who has mother's love, wisdom, and courage. Especially, this novel vividly describes conflicts in the process of modernization on East Asia in nineteenth century. In conclusion, Park, Sang-ryeung' novel Simchung-i and Whang, Suk-yung's novel Simchung, the Road of Lotus show the common researches for human salvation through the parody of Simchung-Jeon.
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