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논문검색은 역시 페이퍼서치

한국문학이론과 비평검색

Korean literary theory and criticism (KLTC)

  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-3501
  • - 간행물명 변경 사항 :
수록 범위 : 42권 0호 (2009)

편집인의 말

Novel middle is not bad in hen jin gen see that, story crying because of money , laughing at because of money , killing a person because of money , selling the body because of money. The author feels these stories with representative epochal character. Novel having feeling the modern times, when reflecting actual life, the centre readjusts oneself to a certain extent the characteristic in the reproduction to life. This has been provided space and possibility studying by author right away. Tragedy making great efforts to be full of the hungry nation of muscle's with 1920 age embodies in self novel li the Hyun. Jin- gen.Author uniqueness thinking that the times Han democracy is able to a life down depends on the consciousness selling being depending on business , as long as what having to daring despite business to be able to manage to exist just now. This one thought has linked up five novel middle such as what I study "poor wife " "hometown" "chastity and medicine price " one day "privately run the mental disease president "the sky " of good luck". Hyun. Jin- gen absolute condition having known and having accepted thought- matter the modern times to be that the world exists in 1920 age. My go into assembles bits and pieces modern times meaning embodied by novel middle , these are that the what be shown modern times is aware of location in the novel.

현진건 소설의 극적 소격과 타자성의 지향

김원희 ( Kim Wonhee )
Hyun, Jinkeun made strenuous efforts to create the format of novels in which incorporating his criticism for colonial realities and resistance for conventionalities. As a result, he was able to establish dramatic estrangement(Verfremdung), and literary pleasure and lesson which is merging into each other. The effects of dramatic irony and estrangement of linguistic play revealed in Hyun's novel is as follows; First, dramatic irony enhances reader's recognition through dissolving stranger orientation with the point of view of an unfamiliar scene and dramatic arrangement of events. Second, estrangement of dramatic linguistic play presents recognition to realities of disillusioning through showing physical and emotional expression unfamiliarly. This effects of dramatic estrangement enhances the potentialities of making variety of Korean humor(Hae-hak) fully understood by global citizens. His works are of great significance from a standpoint that his achievement is the result of his continuous efforts to transforming the system of Korean humor but to borrow the technic of foreign novels. In short, Hyun shows new open world to readers with dramatic estrangement.

님의 현상학과 역설의 시학

임동확 ( Lim Dong-hwak )
Many researchers have studied Manhae’s poems and thoughts. Thanks to them, striking results continue to be accumulated all this while. Especially diverse approaches and various interpretations for understanding his poems' show his works' profundity and width. But like widely known remarks, to substantialize the Nim is impossible. Such attempts will be forced to fail because it is not to lie within the range of a phenomenon or being. Ironically endeavors to grasp or conceptualize the Nim's identity have interrupted the conduct of understanding and comprehension of the Nim. In other words, to describe the Nim definitely which is closely connected to sudden shocks or jumps of linear time, is almost impossible. Specially because Nim comes to destroy anticipation or memory of thinking, or continuity of perception, to reduce any personality is very difficult. Namely the Nim makes an abrupt appearance without one's will. Also the Nim does not follow sequential flow of time. Consequently at that instant ones seizing or contacting with its do not mysteriously exist here. Anything that eternally exists by trace, we could name its the Nim. On the one hand such a Nim purely does not remain personal matters or existential dimension. As a poetic epiphany or theophany Nim's birth couple with East-Asia's circular causality that cause and effect follows one after another. And the Nim is connected to sacred time, which affords basis for nature's endless the circulation than western' linear time, which presupposes finitude of history and life. On the other hand, Manhae is free from indigestive modern poetics' fishing nets, by realizing importance of East-Asianic contradiction and paradox. By facing western modernity world is based on the theory of contradiction and the deductive method that does not endure mutual difference and discrepancy, Manhae also could produce the East-Asianic Nim that is different with the being theology each other.

현대시에서 ‘이야기’의 층위와 ‘이야기시’의 형태

노철 ( Noh Cheol )
The internal story and external narration constitute 'narrative' . It is also that the story in lyric poetry is generated by poetic subject's desire. The story embodies the poetic text with poetic elements such as rhythm, tone, etc. But words in text can not express poetic subject's all desire. Because the lyric poetry suppress subject's desire into condensation and displacement of words. This article researches into the story of desire on Greimas's the actantial model. It demonstrates to be the story in all poetry like emotive-poetry(Kim So Wal's 'The azalea') and things-poetry(Kim Su Young's 'A waterfall'). This article sets up that the narrative is one element on the same elements as the rhythm, tone in the poetry. However, the narrative in style is different from the narrative as one element of the poetry. The narrative poem in style needs a series of events without exception . Accordingly, This article advances the diverse styles of the narrative poem through the method of composing events and narrating events. As well as it researches the speaker narrates or describes events under the control of his sense and feeling to the external events. As a result, this article confirms that the narrative poem is lyric poetry to express the speaker's thinking and feeling.

해방기 시문학의 탈식민주의적 전위성과 잡종성 연구

이민호 ( Lee Min-ho )
This study reviewed the postcolonial avant-gardism and hybridity of poetic literature as a prior step to the general study on the poetry of the Liberation Period focusing the new poets during the Liberation Period. especially this study attempted to reconsider the poets of the Liberation Period by tracing the change of dominant language environment, dominant places and collapse, separated self from the dominant world during the Liberation Period, which were reflected in the poem of the debut poets of in those days. The new poets during the Liberation Period transposed a poetic language to a revolutionary language and made an analogy of the reality. The places appeared in their poems were where cultural differences and otherness constantly arose and they reconstructed the colonial aspects. In such a new postconialism situation, they were not obsessed with the trueness of nationalism, but sought for new types of self through various integrated action, instead. in this way, the postcolonialist avant-gardism and hybridity that new poets claimed the possibility to unite the contradicting values of the main body in ranks. therefore, the historical significance of new poets' in the Liberation Period is that sought for a new world view by cutting off the general poetry of a pre-existing poets.

찬송가의 번역과 근대 초기 시가의 변화

오선영 ( Oh Seon-young )
Koreans in the Early-Modern Period encountered the western Christian culture with the desire for enlightenment of their civilization. (had met the text, the Bible and Hymns. Past studies on the translation of the Bible and hymns have focused on the influences of the Christian culture on developing Han-Geul. However, it was more sophisticated to translate hymns into the Korean Language compared to translation of the Bible; the translation of hymns not only considered word-to-word or sentence-to-sentence translation but also needed to include the rhythm from music. Throughout the history of the Korean poet, there have been a few types of fixed metrics such as Shi-Jo and Ka-Sa that were popular with the public. But after the hymns were translated, new types of free meter emerged from the Korean language. This article examines the changes in the metrics of the traditional Korean poet and the variations that emerged during the translation of the hymns: the changesfrom the old metrics to the more musical modes of the hymns. The focus is how the traditional tetra-metrics changed to syllabic metricschanges that were the result of misunderstanding and neglect on the tradition of the Korean poet.

북한의 자료를 통해 재론하는 백석의 생애

이영미 ( Lee Young-mi )
The purpose of this study was to make a contribution to the overall reconstruction of Baek Seok's life by empirically reinforcing and considering the life of the writer that lived in North Korea. The errors concerning his life were revisited based on a few reports from the previous studies. It's been known that he was the one who initiated the "debate about the literature for preschool children" in North Korea. However, the reexamination confirmed that it was Lee Sun-yeong that initiated the debate and Baek joined the debate later. It's also been told that he was liquidated due to "anti-sectarian struggle." But it's revealed that he returned to the farm participating in the "field dispatch project" as part of his research on actual life. And it's been known that he, who used to write only children's literature, began writing only poetry after returning to the farm. However, it's newly revealed that he still engaged in active activities in the field of children's literature by publishing collections of children's literature. Those newfound facts helped to correct the errors of the previous studies and indicate that careful reexaminations of a writer's life are more essential in literature study.

한국 현대 리얼리즘 시의 비동일성 연구

오윤정 ( O Yoon Jeong )
In this study, I’d like to focus on differences of principle of writing poetry, which target is a realism poetry in modern Korea throughout 1950’s and 1960’s. It has been usually known that the realism in poetry represents confident tone and identification. The identification in realism poetry assumes that the past and the present, the self and the world, and the writers and the readers are intimately related to each other. The purpose of this thesis is to find non-intentional and temporary characteristics in inevitable but general aspects of identification that the realism poetry represents. It is called disidentification. This study is premised when reading with focused on trivial, partial and altered base. It will be reviewed here that the features of disidentified and disintegrated speaking of the literature in 1950’s and 1960’s which had been formed under the influence of modernism. It would make improvement of the discussion about realism poetry and it could make it able to translate the accomplishments in literature of 1950’s and 1960’s. Also, we can learn about the new factor in modern poetry.

은유적 시각으로 본 백석 시세계

지주현 ( Jee Ju-byun )
In a sense, text is a huge metaphor. In Baek Seok's world of poetry, this metaphor earnestly desires both the restoration of forfeiture and the realization of recovery. Under this premise, this paper aims to verify how the metaphorical variation, which generalize the world of poetry, can be weaved and refracted. The small metaphor toward larger metaphor, which is also referred to as 'the recovery of the lost' begins from the horizontal attempt which calls the circumference targets. To begin with, his works shows the poverty and alienation in the colonial period. Then the reality based inquistiveness densely suggests trivial cultural elements. His attempt to specifically poeticize not only the necessities of life and old customs but also the characteristic Korean lifestyle, is the product of an intention to recognize the identification as a Korean rather than the simple preference of the culture. The second metaphor in 'the recovery of the lost' is the verical seeking after truth tied up with historical imagination. This is a vertical intention to recover the prototype of the poetry breaking from the horizontal attachment to the cultural objects. As the place which the roots are in touch with, is the ground of one nation, these types of poetry intensively illuminate the grounds of ethnic life. Throughout this, the place of history and the meaning of space is symbolized as either a positive place feeling or an unaccustomed space feeling. On the other hand, the desire to find the 'roots' shows the process of searching the meaning of the roots in combination with the essay-style which is more suitable in the solemn speculation. In this process, the speaker jumps into the past relying on the primitive memory of the sensorium. In other words, the chemical response coming from the encounter of the sense of the speaker and the material subjects becomes the devise which awakes the poetic memories in the unconciousness. Although the journey of the root-finding gives the consolation, the conclusion was the recognition that more and more powers should get collected to recover the present which is full of the lost. This is the third small metaphor. Now the speaker represents the ardent interest to the neighbors who go through the hardships in the colonial period. The compassion and sympathy are expressed as a far-reaching affection transmitting himself to the poor people and the trivial nature. The will of the poet Baek Seok, who looked squarely the things to be recovered in the difficult era, is still regarded as beautiful.
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