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논문검색은 역시 페이퍼서치

한국문학이론과 비평검색

Korean literary theory and criticism (KLTC)


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-3501
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 7권 0호 (2000)

편집인의 말

김춘섭
1,000
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12,200
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최인훈의「소설가 구보씨의 일일」 서술 특성 고찰

안혜련
6,200
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「가면고」를 통해서 본 『광장』의 주제의식

이상갑
6,300
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『광장』의 서사성과 서사 담론 연구

임환모
6,900
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6,400
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이상 문학에 나타난 소수 문학적 특성

이화경
6,800
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김지하의 생명시와 생명시론 - 생태시 논의와 관련하여

이형권
6,400
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This paper is a study of “life” presented in Ji-ha Kim’s poetry and poetics. Over the 1960s and 1970s, Ji-ha Kim was the most prominent poet in the Korean literary world. He criticized and parodied the undemocratic political reality of the day in his poems. Since the 1980s, the poet has taken an increasing interest in life rather than political resistance; in his many poem, he has pictured an ecologically oriented ‘‘life awareness” rather than a politically oriented awareness. The philosophy of “life awareness”, which Ji-ha Kim has depicted in his poetry and poetics since the 1980s, has played a crucial role in generating ecological imagination and circulating its importance in the Korean poetical circles. His poetry based on the philosophy of “life awareness” can be interpreted as an Oriental model for ecological poetics. Ji-ha Kim’s ecological poetry charges life-threatening ecological problems, searches for the wisdom of a mutual, harmonious living and the cosmic principle to recycle the ecosystem, and aspires for the arrival of ecotopia. In this paper, I classify his poems in three groups and names them “poetry of critique’’, poetry of quest’’, and “poetry of prospect”. Ji-ha Kim’s poetic quest for life presented in these three patterns is a search for the universal nature of life that covers both the Oriental thoughts and the Western thoughts. His search implies that the wu-wei philosophy of Taoism as the pivot of the Oriental thoughts can harmoniously encounter ecology as a Western discipline; his search also demonstrates that ecology and wu-wei philosophy regard nature not as an object of human’s artificial manipulation but an entity with a self-organizing principle and thus respect nature; finally, his search suggests their special affinity with the theory of ecological (re)circulation that the fundamental nature of all animate things is an organic (re)cycling. Ji-ha Kim’s philosophy of life captured in his poetry and poetics explores a prototype behind all phenomena of animate things and thereby stands as an ecological discourse that embraces matter and mind or the Western sense of value and the Oriental sense of value simultaneously.
5,900
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