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논문검색은 역시 페이퍼서치

한국문학이론과 비평검색

Korean literary theory and criticism (KLTC)

  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-3501
  • - 간행물명 변경 사항 :
수록 범위 : 26권 0호 (2005)

김승옥 문학의 여로 이미지 연구-여행 공간의 이동을 중심으로

이용욱 ( Lee Yong-wook )
Kim seungok literary point is travel. He reflected uncertain phase of the times through journey in the 60s. When bound Kim seungok literature in simple sight 'Journey’ in the 1960s, can get following conclusion. First, can discover Kim seungok literary circularity in terms of transfer of travel space always has common denominator of < Seoul > and < hometown >. These two spaces opposing and at the same time individual . As dual confrontation that is city/country, desire/purity erases the deviant crease as but go by latter term, Kim seungok’s interest is changed by < there > called daily life finally. Kim seungok literary transfer can be reduction of space that is hometown rather than effect of enormity of city named Seoul, or is gotten to read to symbolism that is extinction in < hometown >. Second, as woman 'Actual residence' of 30 in university student ‘1’ of 20 although changed narrator’s gaze, all of them has common denominator for clamored persons. These who encounter estrangement in school, society, family although wander detecting request, find pure water, find identity do not discover where stop their tired journey in anywhere finally. Parade brutally that is place that is remembered in part atonement of recollection now even space called hometown and place that Kim seungok literature settles finally is Seoul. But, as tired journey of clamored persons is limited the journey to single space named Seoul, through journey gone constantly in the single space, literature is recording of clamored persons, and literary interest of Kim seungok was as usual how the drift along is attained. Finally, Kim seungok literary ‘Journey image’ is find a shape through confrontation and compromise of heterogeneous space called ‘Seoul’ and ‘Hometown’. Narration of confrontation through 'Death (suicide)’ or ‘drift along’ of other space, narration of ‘Reconciliation' is discontinued as 'Return'. The 1960s was uncertain that was sutured by force under gray of the morning that scars of war are modernization. 'Seoul' became huge to symbolic space of modernization, and 'Hometown’ resembled Seoul go into a decline gradually in contrary. Kim seungok literature was welded hang to with the 60s than some writers in same age. Insecurity which feel masters in Kim seungok literature is not that differ in highbrow’s pitiful self-consciousness who lived the 1960s. Tired journey of highbrows who could not but escapes the irrational world or looks away or is reconciled colorably is that make Kim seungok literary important ream.

남정현 소설의 정신분석학적 연구 시론-풍자와 정신병리

김형중 ( Kim Hyoung-joong )
Though it is just a tentative assumption, such an analysis is thought to have some problematic aspects. The questions brought forward through the analysis are as follows. First, can psychoanalysis get to the bottom of the psychological origin of the satire? In this essay, we have suggested the possibility by mentioning the humor and the laugh in Freud. Second, is the satire of Nam Jung-hyoun realistic? Our point is that, contrary to the well-known views, Nam Jung-hyoun's satire is rather romantic. Third, in what aspect does Nam Jung-hyoun's satire differ from others? According to our analysis, satire of Nam Jung-hyoun is exposing a few defects by taking assaultive attitude toward positive proposals as well as negative reality of life.

해방기 삶의 탐색 태도와 그 의미-허준의 「잔등(殘燈)」론

윤애경 ( Yoon Ae-kyong )
< Jandeung >, which was written by Heo, Jun right after The Liberation, has been evaluated as a remarkably unique one in the history of korean novels by expressing an era of confusion, an era of The Liberation as a searching manner toward the world. This research examined its significance in the history of literature as a literature during the period of The Liberation, laying stress on the meaning implied by 'the spirit of a strict observer', in other word, 'the spirit of the 3rd party', which has been evaluated as a core value in < Jandeung >. The observing attitude of the character in the novel makes up of one axis as a searching operation for the objective meaning, while the subjective attitude of the value searching, which goes in line with the observer's objective attitude, does the other central axis. The observing attitude mentioned as a core of this work could be fairly evaluated by simultaneously revealing the meaning toward this directly-opposed attitude. This 'value-oriented viewpoint' is generally connected with the area of valuation which exists beyond the actual state. In this transitional period when it is impossible to coolly recognize the reality, this work, with objectively recognizing the reality of the period through the observing attitude and the value-oriented viewpoint and further drawing out the structure of 'the completed itinerary', has become a model in the literature of the Liberation period.
This study is to consider (road or journey( in Lee Yong-ak's poetry and Heo Jun's 「The Faint Light」, focused on the symbol of road as a inner form of Korean Literature in independence times. This writers made an effort for representing the meaning and impression of independence in each janre objectivly against sentimental expression. Moreover they made a inner form focused on a foreign country and a journey for returning to motherland, and then they exclued a general inspiration and excitement in independence times. Lee Yong-ak expressed their emotion for independence objectivly by moving along a journey of the people to their homeland from a foreign country, and Heo Jun pursued to represent an inner description of a scenery at a public station toward released Seoul. These aesthetic sense of modernity of Heo Jun take another meaning of the independence in Korea at that times by raising compassion like tolerant sadness be latent in human-being. On the other hand, the view of Lee Yong-ak through the political modernity or aspiration for core of world is a world of political sense in that he recognized the reality of nation. But each intention to modernity of them had not been overcome the political situation in turbidity and eventually their political direction had been toward North Korea.

패러디를 활용한 소설교육의 방법

김미영 ( Kim Mi-young )
This study investigates the possibility of utilizing parody as a method of novel education. For that purpose, this study subjected 『A day of Gu-boo, a novelist』,「Yeol-Ha-Il-Gi」and 「Keum-O-Shin-Hwa」 by Choi, In-hoon. As the parodies of Choi, In-hoon are based on classic novels, the titles are familiar. Therefore, it will help learners focus on keeping a critical distance from the original works. 「Keum-O-Shin-Hwa」 adopted the phantom of the original work and embodied the tragic and ideological characters under the situation of South and North Korea which were uneasy to face at the time. 「Story of Ong-Go-Jip」presents the reality of petty bourgeois who have been dragged to the outsider by having appearance of 'another ego' of Ong-Go-Jip, the head of a house without a job. 『A day of Gu-bo, a novelist』, is a parody in which the flow of cognition is well presented. It reveals the author's character of post-colonization. While Gu-bo appeared in the original work of the 1930s by Park, Tae-won was biased to personal affairs, Choi, In-hoon describes Gu-bo as a man who reflects the spirit of the time. He cool-headedly criticizes the social and historic absurdities. These reading could be linked to novel writing after being learned. 「Keum-O-Shin-Hwa」 and 「Story of Ong-Go-Jip」 are short length stories and it could be guided how to write by teaching the method of fantasy novel writing as learners have a great attention on fantasy novels. 『A day of Gu-bo, a novelist 』could be used for group novel writing for group studying. In this case, through producing several parody texts in a class, students could reflect their ego on the characters. Through the process, the procedure of self-esteem building could be explored.

정한모 시의 에코에로티시즘 연구

전미정 ( Jun-mi-jung )
Eroticism is one of poetic tendency that represent at the War-poem in the 1950s. Because death is psychological effect that promote instinct of life. Interest and researches which treat about this life create sensuality and sexual image. Life can be concluded through sex. It is due to this eroticism that Jeong-Hanmo poet occupies important phase at War-poem of the 1950s. Through subject of eroticism, baby's symbolism that form key image may be clarify properly. This eroticism belongs to Ecological consciousness at point that seek world insect by life ultimately. Ecoeroticism is this imagination which motive maximization of life through sensuality ecological eroticism.

전후 전봉건 시의 환상성 연구

김윤정 ( Kim Yun-jeong )
This paper studies the features of the postwar poetry world of Jeon Bong Geon. Especially I analyzes experience of war in the first poetry of Jeon Bong Geon. His poetry was related world of war. Through the first poetry of Jeon Bong Geon pointed out the later poetry world. That is to say, the later poetry of Jeon Bong Geon, the modernism poetry also was related war in the first poetry of Jeon Bong Geon. The first poetry world of his was features of post world. In the first his poetry has been involved features the first stage poetry in the war. That is common community in infancy period. Especially It restarted experience of nihility and wandering with that period. And that was resisted post war. The poetical investigation of Jeon Bong Geon, as we pointed out in his text, embodies a summit of modern korean poetry. That is to say, his orientation in nihility and war, have the opportunity to understand in his late poetry, the modernity of poetry.

「옛우물」에 나타난 신화적 상상력 연구

김정숙 ( Kim Jeong-sook )
This paper aims to look into the motif of life, death and eternity in Oh, Jeong Hee's An Old Well by myth criticism. In work, Archetypical images like an old well, a tree, and death form metaphoric mode and human's psychology including woman. Such various symbolic words present the mythical pattern which is very closely related to human experience such as death and life, the desire of vanished world, taboo and violation. In other words, An Old Well shows not only middle aged woman's life which search for self identification as a housewife but also furthermore contains the deep swamp of existence and universal nihility through the repetitive ‘fullness’ and ‘emptiness’ of the well. We also know that the circulating structure figured in work has connection with modern society and social·historical fact. Therefore, Oh, Jeong Hee's An Old Well is the present work in terms of considering that it leads a discontinuous existence to the world of eternity.

‘권선징악’에 대하여

김경애 ( Kim Kyung-ae )
This study is looking for the meaning of ‘encouraging good and punishing evil’. This is a typical and traditional story structure, specially a story-model human have had for a long time. I will propose to call it ‘encouraging good and punishing evil’ on the case the text has the story of ‘the good must be happy after sufferings, the bad must be punished after obtaining authority’. For example, the traditional novel of Korea and Hollywood action movie have similar story structure, but they are different the method of expression of it, the ideology of righteousness and wickedness, and strategy of composition. Therefore if we can approach to these points, we gain a base of operations to explain the specific property of novel. ‘encouraging good and punishing evil’ is very important on the two points, the first is we gain the base of operations to explain the novel on the structure and mode, and the second, we explain the Korean format to take a inherent method. If we store up the study on ground of this area, we will analysis our literature to take a Korean method.
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