Kim seungok literary point is travel. He reflected uncertain phase of the times through journey in the 60s. When bound Kim seungok literature in simple sight 'Journey’ in the 1960s, can get following conclusion.
First, can discover Kim seungok literary circularity in terms of transfer of travel space always has common denominator of < Seoul > and < hometown >. These two spaces opposing and at the same time individual . As dual confrontation that is city/country, desire/purity erases the deviant crease as but go by latter term, Kim seungok’s interest is changed by < there > called daily life finally. Kim seungok literary transfer can be reduction of space that is hometown rather than effect of enormity of city named Seoul, or is gotten to read to symbolism that is extinction in < hometown >.
Second, as woman 'Actual residence' of 30 in university student ‘1’ of 20 although changed narrator’s gaze, all of them has common denominator for clamored persons. These who encounter estrangement in school, society, family although wander detecting request, find pure water, find identity do not discover where stop their tired journey in anywhere finally. Parade brutally that is place that is remembered in part atonement of recollection now even space called hometown and place that Kim seungok literature settles finally is Seoul. But, as tired journey of clamored persons is limited the journey to single space named Seoul, through journey gone constantly in the single space, literature is recording of clamored persons, and literary interest of Kim seungok was as usual how the drift along is attained.
Finally, Kim seungok literary ‘Journey image’ is find a shape through confrontation and compromise of heterogeneous space called ‘Seoul’ and ‘Hometown’. Narration of confrontation through 'Death (suicide)’ or ‘drift along’ of other space, narration of ‘Reconciliation' is discontinued as 'Return'. The 1960s was uncertain that was sutured by force under gray of the morning that scars of war are modernization. 'Seoul' became huge to symbolic space of modernization, and 'Hometown’ resembled Seoul go into a decline gradually in contrary.
Kim seungok literature was welded hang to with the 60s than some writers in same age. Insecurity which feel masters in Kim seungok literature is not that differ in highbrow’s pitiful self-consciousness who lived the 1960s. Tired journey of highbrows who could not but escapes the irrational world or looks away or is reconciled colorably is that make Kim seungok literary important ream.